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Reel to real : race, class and sex at the movies

著者: bell hooks
出版商: New York : Routledge, 2009.
丛书: Routledge classics.
版本/格式:   图书 : 传记 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Movies matter -- that is the message of Reel to Real, bell hooksʹ classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks -- one of Americaʹs most celebrated and thrilling cultural critics -- talks back to films that have  再读一些...
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类型/形式: Interviews
材料类型: 传记, 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: bell hooks
ISBN: 9780415964807 0415964806
OCLC号码: 244481725
注意: Includes index.
描述: viii, 312 p. ; 20 cm.
内容: Good girls look the other way --
Transgression and transformation: Leaving Las Vegas --
Exotica: breaking down to break through --
Crooklyn: the denial of death --
Cool cynicism: Pulp fiction --
Mock feminism: Waiting to exhale --
Kids: transgressive subject matter-reactionary film --
Artistic integrity: race and accountability --
Neo-colonial fantasies of conquest: Hoop dreams --
Doing it for daddy: black masculinity in the mainstream --
Thinking through class: paying attention to The attendant --
Back to the avant-garde: the progressive vision --
What's passion go to do with it? An interview with Marie-France Alderman --
The cultural mix: an interview with Wayne Wang --
Confession-filming family: an interview with artist and filmmaker Camille Billops --
A guiding light: an interview with Charles Burnett --
Critical contestations: a conversation with A.J. (Arthur Jaffa) --
The oppositional gaze: black female spectators --
Is Paris burning? --
"Whose pussy is this?" A feminist comment.
丛书名: Routledge classics.
责任: bell hooks.
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摘要:

A collection of essays on film. It is suitable for those who believe that movies are worth arguing about.  再读一些...

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出版商概要

'hooks... makes a compelling case to filmmakers for creating progressive images that 'transform the culture we live in'.' - Los Angeles Times

 
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