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Referentiality and the films of Woody Allen

Author: Klara Stephanie Szlezák; D E Wynter
Publisher: Basingstoke : Palgrave Macmillan, 2015.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
Summary:
"Referentiality and the Films of Woody Allen is a scholarly collection that provides expansive exploration of the auteur's use of intertexuality, referentiality, and fusion of media forms. Its scope is framed by Allen's intermedial phase beginning in 1983 with Zelig and his most recent film. While many chapters in the volume deal with texts, several delve into Allen's process of referentiality, his accessing  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Printed edition:
Named Person: Woody Allen; Woody Allen
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Klara Stephanie Szlezák; D E Wynter
ISBN: 9781137515476 1137515473 1349570818 9781349570812
OCLC Number: 927960763
Notes: Includes index.
Description: 1 online resource.
Contents: Cover; Contents; Foreword by David Desser; Notes on Contributors; Introduction; Part I: Intermediality and Form; 1 Zelig: A Simulated Life; 2 Woody Allen's Blue Jasmine: A Seductively Scented Flower Performing in a Theatrical Bubble; Part II: European Art-Cinema and the Auteur; 3 "Thank God the French exist": Exploring the Referentiality of the Formal Elements of Film in Deconstructing Harry; 4 Two and a Half: Nostalgia, Modern Parody, and Fellini in Stardust Memories, Radio Days, and To Rome with Love; Part III: Greek Mythology Revisited; 5 Oedipus or the Wrecks of the WASP Disguise 6 Woody Allen and the Absurdity of Human Existence: Origin, Legacy, and Human Agency in God and Mighty AphroditePart IV: Literary Masters of Nineteenth-CenturyRealism; 7 "A full meal with a vitamin pill and extra wheatgerm": Woody Allen, Dostoevsky, and Existential Morality; 8 "Darling, have you seen my Strindberg book?": Dialogism as Social Discourse in Match Point; Part V: Referentiality and Transcultural Immersion; 9 Guitar and Cultural Trespass in Vicky Cristina Barcelona; 10 "Hi Mr. Hemingway": Time and Space, Travel, and Literary Heritage in Midnight in Paris Part VI: Identity: Conceptualization and Performance11 Woody and "Woody": The Making of a Persona; 12 Magical Tricks and Ingmar Bergman: Referentiality in Magic in the Moonlight; Index
Responsibility: edited by Klara Stephanie Szlezák, D.E. Wynter.

Abstract:

Referentiality and the Films of Woody Allen is a scholarly collection that provides expansive exploration of the auteur's use of intertexuality, referentiality, and fusion of media forms. Its scope  Read more...

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'There is a case to be made that Woody Allen is the preeminent film artist of his generation. He is certainly one of the towering masters of American film. This thoughtful and rigorous collection of Read more...

 
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