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The reformation of the image

作者: Joseph Leo Koerner
出版商: Chicago : University of Chicago Press, 2004.
版本/格式:   打印圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God, shattering years of Catholic tradition. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation. But if words, not iconic images, showed the way to salvation, why didn't religious imagery during the Reformation disappear along with  再讀一些...
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詳細書目

類型/形式: Criticism, interpretation, etc
History
提及的人: Lucas Cranach; Cranach, Lucas <1472-1553> - Critique et interprétation.; Lucas Cranach; Lucas Cranach; Lucas Cranach; Martin Luther
資料類型: 網際網路資源
文件類型 圖書, 網際網路資源
所有的作者/貢獻者: Joseph Leo Koerner
ISBN: 0226450066 9780226450063 0226448371 9780226448374
OCLC系統控制編碼: 54986557
描述: 494 pages : illustrations (some color) ; 25 cm
内容: Timeline --
Introduction. Ideas about the thing ; A tragedy for art? ; Territorial battles ; Appropriations ; A Reformation altarpiece --
pt. I. Cleansing. Actions ; Beliefs ; Fictions ; Communications ; The arrested gesture --
pt. II. The word. The cross ; The outstretched finger ; A hidden God? ; Crude painting ; Preaching ; Teaching ; Ubiquity --
pt. III. Sacrament. From custom to rule ; Behind the mass ; The tables turned ; Ministry ; Church building --
Epilogue.
責任: Joseph Leo Koerner.
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摘要:

With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God, shattering years of Catholic tradition. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation. But if words, not iconic images, showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work, Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants, with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen, it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art.

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