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Reich counterpoint : Steve Reich, minimalism, and music before 1750 : a historical and comparative analysis of his four counterpoint pieces

Auteur : John Kaefer
Éditeur : 2006.
Dissertation : D.M.A. Juilliard School 2006
Édition/format :   Thèse/dissertation : Thèse/mémoire : Biographie : Manuscrit   Document mixte : Anglais
Base de données :WorldCat
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Détails

Genre/forme : Interviews
Personne nommée : Steve Reich; Steve Reich; Steve Reich; Steve Reich; Steve Reich; Steve Reich; Steve Reich
Type d’ouvrage : Biographie, Thèse/mémoire, Manuscrit
Format : Livre, Document mixte
Tous les auteurs / collaborateurs : John Kaefer
Numéro OCLC : 70272538
Notes : Typescript (photocopy).
Description : [vi], 68 leaves, bound : illustrations, music, charts ; 29 cm
Contenu : pt. 1. Steve Reich and his work. Beginnings, 1936 to 1964 ; Tape loops and beyond, 1965 to 1970 ; International education and introspection, the 1970s ; Musical and spiritual counterpoint, 1980s to 1988 ; Going forward but backwards too, 1988 to 1999 ; A new millenium, 2000 and beyond --
pt. 2. Reich, minimalism and music before 1750: Connecting the dots. Clarification ; Music as a gradual process: Similarities (and differences) between Reich and music before 1750 ; Reich counterpoint: The art of stretto --
pt. 3. Reich counterpoint: A comparative analysis of Vermont counterpoint, New York counterpoint, Electric counterpoint, and Cello counterpoint. History of counterpoint series ; The big picture: Formal design ; Harmonic and melodic language: Cycles, intuition, and African influences ; Canon: Specific examples of canonic techniques --
pt. 4. Conclusion --
Appendix: Reich counterpoint; A conversation with Steve Reich, 25 August 2004.
Responsabilité : John Kaefer.

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