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Reich counterpoint : Steve Reich, minimalism, and music before 1750 : a historical and comparative analysis of his four counterpoint pieces

Author: John Kaefer
Publisher: 2006.
Dissertation: Thesis (D.M.A.)--The Juilliard School, 2006.
Edition/Format:   Thesis/dissertation : Thesis/dissertation : Biography : Manuscript   Archival Material : English
Database:WorldCat
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Genre/Form: Interviews
Named Person: Steve Reich; Steve Reich; Steve Reich; Steve Reich; Steve Reich; Steve Reich; Steve Reich
Material Type: Biography, Thesis/dissertation, Manuscript
Document Type: Book, Archival Material
All Authors / Contributors: John Kaefer
OCLC Number: 70272538
Notes: Typescript (photocopy).
Description: [vi], 68 leaves, bound : ill., music, charts ; 29 cm.
Contents: Pt. 1. Steve Reich and his work. Beginnings, 1936 to 1964 ; Tape loops and beyond, 1965 to 1970 ; International education and introspection, the 1970s ; Musical and spiritual counterpoint, 1980s to 1988 ; Going forward but backwards too, 1988 to 1999 ; A new millenium, 2000 and beyond --
Pt. 2. Reich, minimalism and music before 1750: Connecting the dots. Clarification ; Music as a gradual process: Similarities (and differences) between Reich and music before 1750 ; Reich counterpoint: The art of stretto --
Pt. 3. Reich counterpoint: A comparative analysis of Vermont counterpoint, New York counterpoint, Electric counterpoint, and Cello counterpoint. History of counterpoint series ; The big picture: Formal design ; Harmonic and melodic language: Cycles, intuition, and African influences ; Canon: Specific examples of canonic techniques --
Pt. 4. Conclusion --
Appendix: Reich counterpoint; A conversation with Steve Reich, 25 August 2004.
Responsibility: John Kaefer.

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