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The relation between architectural forms and philosophical structures in the work of Francesco Borromini in seventeenth-century Rome

Author: John Shannon Hendrix
Publisher: Lewiston, N.Y. : E. Mellen Press, ©2002.
Series: Mellen studies in architecture, v. 9.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

This work introduces a new interpretation of the work of Borromini and of architecture in general in its analysis of the relation between architectural forms and philosophical structures.

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Genre/Form: Barromini, Francesco
Criticism, interpretation, etc
Additional Physical Format: Online version:
Hendrix, John.
Relation between architectural forms and philosophical structures in the work of Francesco Borromini in seventeenth-century Rome.
Lewiston, N.Y. : E. Mellen Press, ©2002
(OCoLC)606899767
Online version:
Hendrix, John.
Relation between architectural forms and philosophical structures in the work of Francesco Borromini in seventeenth-century Rome.
Lewiston, N.Y. : E. Mellen Press, ©2002
(OCoLC)609346611
Named Person: Francesco Borromini; Francesco Borromini
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: John Shannon Hendrix
ISBN: 0773469958 9780773469952 077347952X 9780773479524
OCLC Number: 49626274
Description: xiii, 259 pages, 40 pages of plates : illustrations ; 24 cm.
Contents: Precedent and Setting: 1. Renaissance Precedent: Leon Battista Alberti 13 --
2. The Structure of the Cosmos in the Baroque --
3. The Neoplatonic Idea at the Accademia di San Luca --
Philosophical Structures in the Architecture of Borromini: 4. Syncretism and Architectural Syntax --
5. The Structuring of the Conceptual Process --
6. Athanasius Kircher and Hermeticism --
7. Esoteric Symbols of Hermetic and Neoplatonic Philosophy --
8. Light, Vision and Numerology --
9. The Transmutation of Geometries --
Philosophical Origins: 10. Neoplatonic Philosophy --
11. Presocratic Origins.
Series Title: Mellen studies in architecture, v. 9.
Responsibility: John Hendrix.
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