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Religion, art, and money : Episcopalians and American culture from the Civil War to the Great Depression

Author: Peter W Williams
Publisher: Chapel Hill : The University of North Carolina Press, [2016]
Edition/Format:   eBook : Document : State or province government publication : EnglishView all editions and formats
Database:WorldCat
Summary:
This is cultural history of mainline Protestantism and American cities--most notably, New York City--focuses on wealthy, urban Episcopalians and the influential ways they used their money. Peter W. Williams argues that such Episcopalians, many of them the country's most successful industrialists and financiers, left a deep and lasting mark on American urban culture. Their sense of public responsibility derived from  Read more...
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Genre/Form: Church history
History
Electronic books
Additional Physical Format: Print version:
Williams, Peter W.
Religion, art, and money
(DLC) 2015028003
(OCoLC)914296394
Material Type: Document, Government publication, State or province government publication, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Peter W Williams
ISBN: 9781469628134 1469628139
OCLC Number: 941780400
Description: 1 online resource.
Contents: Introduction. Three ways of looking at an Episcopalian --
Churches --
Phillips Brooks and Trinity Church : symbols for an age --
The Gothic revival and the arts and crafts movement --
The great American cathedrals --
Gospels --
The social gospel --
The gospel of education --
The gospel of wealth and the gospel of art --
Epilogue. The irony of American Episcopal history.
Responsibility: Peter W. Williams.

Abstract:

This is cultural history of mainline Protestantism and American cities--most notably, New York City--focuses on wealthy, urban Episcopalians and the influential ways they used their money. Peter W. Williams argues that such Episcopalians, many of them the country's most successful industrialists and financiers, left a deep and lasting mark on American urban culture. Their sense of public responsibility derived from a sacramental theology that gave credit to the material realm as a vehicle for religious experience and moral formation, and they came to be distinguished by their participation in major aesthetic and social welfare endeavors. Williams traces how the church helped transmit a European-inflected artistic patronage that was adapted to the American scene by clergy and laity intent upon providing moral and aesthetic leadership for a society in flux. Episcopalian influence is most visible today in the churches, cathedrals, and elite boarding schools that stand in many cities and other locations, but Episcopalians also provided major support to the formation of stellar art collections, the performing arts, and the Arts and Crafts movement. Williams argues that Episcopalians thus helped smooth the way for acceptance of materiality in religious culture in a previously iconoclastic, Puritan-influenced society.

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Penetrating and insightful . . . provides prescient forecasts and constructive musings on the future of the Episcopal Church.--<i>Publishers Weekly</i>

 
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