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Rembrandt by himself

Author: Rembrandt Harmenszoon van Rijn; Christopher White; Quentin Buvelot
Publisher: London : National Gallery Publications Ltd. ; The Hague : Royal Cabinet of Paintings Mauritshuis ; [New Haven, Conn.] : Distributed by Yale University Press, ©1999.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"Rembrandt van Rijn (1606-1669) made hundreds of paintings, etchings and drawings, covering a broad range of subject matter. The proportion of these images that can be classified as self portraits is exceptional. All the surviving examples, many of which have long been among the most celebrated images in Western Art, are described and illustrated here, together with copies after lost pieces. The development of  Read more...
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Genre/Form: Criticism, interpretation, etc
Self-portraits
Autoportraits Expositions
Expositions
Named Person: Rembrandt Harmenszoon van Rijn; Rembrandt Harmenszoon van Rijn; Rembrandt; Rembrandt Harmenszoon van Rijn; Rembrandt Harmenszoon van Rijn; Rembrandt Harmenszoon van Rijn; Rembrandt
Document Type: Book
All Authors / Contributors: Rembrandt Harmenszoon van Rijn; Christopher White; Quentin Buvelot
ISBN: 0300077890 9780300077896 185709252X 9781857092523 1857092708 9781857092707
OCLC Number: 40980397
Description: 272 pages : illustrations (some color) ; 28 cm
Contents: The multiple functions of Rembrandt's self portraits / Ernst van de Wetering --
Rembrandt and the artist's self-portrait: tradition and reception / Volker Manuth --
Costume in Rembrandt's self portraits / Marieke de Winkel --
The life of Rembrandt van Rijn (1606-1669) / Ben Broos --
Note to the catalogue / Christopher White and Quentin Buvelot --
Catalogue / Edwin Buijsen, Peter Schatborn and Ben Broos --
Pupils of Rembrandt / Ariane van Suchtelen.
Responsibility: edited by Christopher White and Quentin Buvelot ; essays, Ernst van de Wetering, Volker Manuth, and Marieke de Winkel ; catalogue, Edwin Buijsen [and others].

Abstract:

"Rembrandt van Rijn (1606-1669) made hundreds of paintings, etchings and drawings, covering a broad range of subject matter. The proportion of these images that can be classified as self portraits is exceptional. All the surviving examples, many of which have long been among the most celebrated images in Western Art, are described and illustrated here, together with copies after lost pieces. The development of Rembrandt's style from his youth in Leiden to the last years in Amsterdam, and the gradual ageing of his features over the years, are both vividly revealed."--Jacket.

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