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Rembrandt van Rijn.

Author: ARTE France.; Films for the Humanities & Sciences (Firm); Films Media Group.
Publisher: New York, N.Y. : Films Media Group, [2013], ©1991.
Series: Palettes (Film for the Humanities (Firm))
Edition/Format:   eVideo : Clipart/images/graphics : EnglishView all editions and formats
Database:WorldCat
Summary:
Even in his first paintings, Rembrandt positioned himself in the scene. In the following years, at least 100 times he used his face as the only subject in engravings, drawings, and paintings. Such single-mindedness, unique in the history of art, was very widely interpreted. This program explores his self-portraits and attempts to determine the secret meanings hidden in the various versions of Rembrandt's face.
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Details

Genre/Form: Biography
History
Named Person: Rembrandt Harmenszoon van Rijn; Rembrandt Harmenszoon van Rijn
Material Type: Clipart/images/graphics, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: ARTE France.; Films for the Humanities & Sciences (Firm); Films Media Group.
OCLC Number: 882084683
Notes: Originally produced by ARTE France.
Films on Demand is distributed by Films Media Group for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware.
Title from distributor's description.
Target Audience: 7 & up.
Description: 1 online resource (1 streaming video file (30 min.)) : sound, color.
Contents: Self-Portraits (2:29) --
Rembrandt's Early Works (2:19) --
Canvas Becomes the Mirror (2:04) --
Right-Handed Painter (2:51) --
Chiaroscuro (3:26) --
Painting in the Act of Self-Creation (0:39) --
Rembrandt's Colorful Personality (4:11) --
Self-Awareness (3:33) --
Touched by Melancholy (2:25) --
Creating a Narrative (1:16) --
Credits: Rembrandt van Rijn (1:19).
Series Title: Palettes (Film for the Humanities (Firm))

Abstract:

Even in his first paintings, Rembrandt positioned himself in the scene. In the following years, at least 100 times he used his face as the only subject in engravings, drawings, and paintings. Such single-mindedness, unique in the history of art, was very widely interpreted. This program explores his self-portraits and attempts to determine the secret meanings hidden in the various versions of Rembrandt's face.

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Primary Entity

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