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Rembrandt.

Author: David Bomford; National Gallery (Great Britain)
Publisher: London : National Gallery, 2006.
Series: Art in the making.
Edition/Format:   Print book : English : New ed.View all editions and formats
Database:WorldCat
Summary:
"Art in the Making: Rembrandt was first published in 1988. Publication of this new edition marks the 400th anniversary of the artist's birth in 1606. The book takes account of significant developments in Rembrandt scholarship over the last 20 years, and addresses problems of attribution that were hardly touched on in the original edition. All the works originally catalogued are included here, although some have been  Read more...
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Genre/Form: Criticism, interpretation, etc
Catalogues
Named Person: Rembrandt Harmenszoon van Rijn; Rembrandt Harmenszoon van Rijn; Rembrandt Harmenszoon van Rijn; Rembrandt Harmenszoon van Rijn
Document Type: Book
All Authors / Contributors: David Bomford; National Gallery (Great Britain)
ISBN: 9781857093568 1857093569
OCLC Number: 64747684
Notes: Previous edition: published as by David Bomford, Christopher Brown, and Ashok Roy with ... 1988.
Description: 256 pages : illustrations (chiefly color), portraits (chiefly color) ; 27 cm.
Contents: Essays: Studio practice and the training of artists / Jo Kirby --
Rembrandt's materials and technique --
The ground layer: function and type / Ashok Roy --
The paint layers / David Bomford --
Rembrandt's palette / Ashok Roy and Jo Kirby --
Rembrandt's paint medium / Raymond White, with assistance from Catherine Higgitt --
Catalogue / David Bamford, Ashok Roy and Axel Rüger --
Works by Rembrandt --
Works by followers of Rembrandt.
Series Title: Art in the making.
More information:

Abstract:

Takes account of significant developments in Rembrandt scholarship since 1988, and addresses problems of attribution. This book offers introductory essays, which cover the artist's studio and working  Read more...

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Linked Data


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    schema:reviewBody ""Art in the Making: Rembrandt was first published in 1988. Publication of this new edition marks the 400th anniversary of the artist's birth in 1606. The book takes account of significant developments in Rembrandt scholarship over the last 20 years, and addresses problems of attribution that were hardly touched on in the original edition. All the works originally catalogued are included here, although some have been reassessed, and new entries have been added for paintings once attributed to Rembrandt but now considered to be by other hands. What remains the same is the scrupulous examination of every work that forms the basis for the descriptions of technique and arguments for attribution." "Introductory essays cover the artist's studio and working methods, the training of painters in seventeenth-century Holland, and Rembrandt's materials and technique. The essays are followed by catalogue entries on 21 paintings firmly attributed to Rembrandt, and six now assigned to followers. A comprehensive bibliography provides a rich source of information about the practice of oil painting, not only for Rembrandt but for seventeenth-century Dutch painting in general. Tables conveniently summarise the results of analysis of the ground layers and paint medium of the National Gallery's Rembrandts."--Jacket." ;
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