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Renew Marxist art history

Author: Warren Carter; Barnaby Haran; Frederic J Schwartz
Publisher: London : Art Books Publishing Ltd, 2013.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
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Genre/Form: Electronic books
History
Additional Physical Format: Print version:
Carter, Warren.
ReNew Marxist Art History.
New York : Art Books Publishing Ltd, 2014
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Warren Carter; Barnaby Haran; Frederic J Schwartz
ISBN: 9781908970145 1908970146
OCLC Number: 879590477
Description: 1 online resource
Contents: Cover; Title Page; CONTENTS; PREFACE; INTRODUCTION; MARXIST THEORY IN PRACTICE; John Roberts, 'Art History's Furies'; Stephen F. Eisenman, 'The Political Logic of Radical Art History in California 1974-85: A Memoir'; Warren Carter, 'The Dialectical Legacies of Radical Art History: Meyer Schapiro and German Aesthetic Debates in the1930s and 1940s'; Stewart Martin, 'Approaching Marx's Aesthetic: Or, What is Sensuous Practice?'; Matthew Beaumont, 'A Communion of Just Men Made Perfect: Walter Pater, Romantic Anti-Capitalism and the Paris Commune' Norbert Schneider, 'What Remains of Adorno's Critique of Culture?'Frederic J. Schwartz, 'Aby Warburg and the Spirit of Capitalism'; LANDSCAPE, CLASS AND IDEOLOGY; Alan Wallach, 'A Note on Aestheticizing Tendencies in American Landscape Painting 1840-80'; Brian Foss, 'Meaning, Change and Ambiguity in Canadian Landscape Imagery: Homer Watson and The Pioneer Mill'; Charles Ford, '"One spectator is a better witness than ten listeners": Roger North, Making the Past Public'; Steve Edwards, 'An "Ever-Recurring Controversy": John Thompson, William James Stillman and the Bootblacks' Tom Gretton, 'Calaveras and Commodity Fetishism: The Unhallowed Supernatural in the Work of José Guadalupe Posada'Angela Miller, 'Reading Ahab: Rockwell Kent, Herman Melville and C.L.R. James'; Caroline Arscott, 'William Morris, Ornament and the Coordinates of the Body'; MARXISM AND THE SHAPING OF MODERNISM; Barnaby Haran, 'Red Hashar: Louis Lozowick's Lithographs of Soviet Tajikstan'; Martin I. Gaughan, 'Lu Märten and the Question of a Marxist Aesthetic in 1920s Germany'; Rachel Sanders, 'Experiment and Propaganda: Art in the Monthly New Masses' Jody Patterson, 'Stuart Davis and Left Modernism on the New York Waterfront in the 1930s'Fred Orton, 'Action, Revolution and Painting: Resumed'; James A. van Dyke, 'Erasure and Jewishness in Otto Dix's Portrait of the Lawyer Hugo Simons'; Paul B. Jaskot, 'The Nazi Party's Strategic Use of the Bauhaus: Marxist Art History and the Political Conditions of Artistic Production'; MARXISM IN A NEW WORLD ORDER; Alex Potts, 'Realism and Materialism in Postwar European Art'; Frances Stracey, 'The Situation of Women'; Peter Smith, 'Photography, Language and the Pictorial Turn' Chin-tao Wu, 'Scars on the Landscape: Doris Salcedo Between Two Worlds'Gail Day, 'Realism, Totality and the Militant Citoyen': or, What Does Lukács Have to Do with Contemporary Art?; Kerstin Stakemeier, 'Deartification This Side of Art: Ideology Critique, Autonomy and Reproduction'; NOTES ON THE CONTRIBUTORS; A, B, C; INDEX; D, E, F; G, H, I; J, K, L; M, N, O; P, Q, R; S, T, U; V, W, X; Y, Z; Copyright.
Responsibility: edited by Warren Carter, Barnaby Haran, Frederic J. Schwartz.

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