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Representing women

Autor: Linda Nochlin
Editorial: New York : Thames and Hudson, 1999.
Serie: Interplay (New York, N.Y. : Thames and Hudson)
Edición/Formato:   Libro impreso : Inglés (eng)Ver todas las ediciones y todos los formatos
Resumen:
"Women - as warriors, workers, mothers, sensual women, even absent women haunt nineteenth- and twentieth-century Western painting. This book brings together Linda Nochlin's most important and pioneering writings on the subject as she considers works by Millet, Delacroix, Courbet, Degas, Seurat, Cassatt and Kollwitz, among others." "In a riveting, partly autobiographical introduction, Nochlin argues for the honest  Leer más
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Formato físico adicional: Online version:
Nochlin, Linda.
Representing women.
New York : Thames and Hudson, 1999
(OCoLC)606334418
Tipo de documento Libro
Todos autores / colaboradores: Linda Nochlin
ISBN: 0500019045 9780500019047 0500280983 9780500280980
Número OCLC: 42309871
Descripción: 272 pages : illustrations ; 24 cm.
Contenido: Memoirs of an Ad Hoc art historian --
The myth of the woman warrior --
Géricault : the absence of women --
The image of the working woman --
Courbet's real allegory : rereading The painter's studio --
A house is not a home : Degas and the subversion of the family --
Mary Cassatt's modernity --
Body politics : Seurat's Poseuses.
Título de la serie: Interplay (New York, N.Y. : Thames and Hudson)
Responsabilidad: Linda Nochlin.

Resumen:

"Women - as warriors, workers, mothers, sensual women, even absent women haunt nineteenth- and twentieth-century Western painting. This book brings together Linda Nochlin's most important and pioneering writings on the subject as she considers works by Millet, Delacroix, Courbet, Degas, Seurat, Cassatt and Kollwitz, among others." "In a riveting, partly autobiographical introduction, Nochlin argues for the honest virtues of an art history which rejects methodological presuppositions and for art historians who investigate the work before their eyes while focussing on its subject matter, informed by a sensitivity to its feminist spirit."--Jacket.

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