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Rereading the Harlem renaissance : race, class, and gender in the fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West

著者: Sharon L Jones
出版: Westport, Conn. : Greenwood Press, 2002.
シリーズ: Contributions in Afro-American and African studies, no. 207.
エディション/フォーマット:   book_printbook : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"This rereading of the Harlem Renaissance gives special attention to Fauset, Hurston, and West. Jones argues that all three aesthetics influence each of their works, that they have been historically mislabeled, and that they share a drive to challenge racial, class, and gender oppression. The introduction provides a detailed historical overview of the Harlem Renaissance and the prevailing aesthetics of the period.  続きを読む
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ジャンル/形式: Criticism, interpretation, etc
History
その他のフォーマット: Online version:
Jones, Sharon L. (Sharon Lynette).
Rereading the Harlem renaissance.
Westport, Conn. : Greenwood Press, 2002
(OCoLC)605986045
Online version:
Jones, Sharon L. (Sharon Lynette).
Rereading the Harlem renaissance.
Westport, Conn. : Greenwood Press, 2002
(OCoLC)608357277
関連の人物: Dorothy West; Jessie Redmon Fauset; Zora Neale Hurston; Dorothy West; Jessie Redmon Fauset; Dorothy West; Jessie Redmon Fauset; Zora Neale Hurston; Jessie Redmon Fauset; Zora Neale Hurston; Dorothy West; Zora Neale Hurston; Dorothy West; Jessie Redmon Fauset
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Sharon L Jones
ISBN: 0313323267 9780313323263
OCLC No.: 49625071
物理形態: 159 pages : illustrations ; 25 cm.
コンテンツ: Deconstructing the Black Bourgeoisie: subversions and diversions in the fiction of Jesssie Fauset --
"How it feels to be colored me": social protest in the fiction of Zora Neale Hurston --
A closet revolutionary: the politics of representation in the fiction of Dorothy West.
シリーズタイトル: Contributions in Afro-American and African studies, no. 207.
責任者: Sharon L. Jones.
その他の情報:

概要:

"This rereading of the Harlem Renaissance gives special attention to Fauset, Hurston, and West. Jones argues that all three aesthetics influence each of their works, that they have been historically mislabeled, and that they share a drive to challenge racial, class, and gender oppression. The introduction provides a detailed historical overview of the Harlem Renaissance and the prevailing aesthetics of the period. Individual chapters analyze the works of Hurston, West, and Fauset to demonstrate how the folk, bourgeois, and proletarian aesthetics figure into their writings. The volume concludes by discussing the writers in relation to contemporary African American women authors."--Jacket.

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