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Rereading the Harlem renaissance : race, class, and gender in the fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West 線上預覽
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Rereading the Harlem renaissance : race, class, and gender in the fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West

作者: Sharon L Jones
出版商: Westport, Conn. : Greenwood Press, 2002.
叢書: Contributions in Afro-American and African studies, no. 207.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"This rereading of the Harlem Renaissance gives special attention to Fauset, Hurston, and West. Jones argues that all three aesthetics influence each of their works, that they have been historically mislabeled, and that they share a drive to challenge racial, class, and gender oppression. The introduction provides a detailed historical overview of the Harlem Renaissance and the prevailing aesthetics of the period.  再讀一些...
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詳細書目

類型/形式: Criticism, interpretation, etc
History
其他的實體格式: Online version:
Jones, Sharon L. (Sharon Lynette)
Rereading the Harlem renaissance.
Westport, Conn. : Greenwood Press, 2002
(OCoLC)605986045
Online version:
Jones, Sharon L. (Sharon Lynette)
Rereading the Harlem renaissance.
Westport, Conn. : Greenwood Press, 2002
(OCoLC)608357277
提及的人: Dorothy West; Jessie Redmon Fauset; Zora Neale Hurston; Dorothy West; Jessie Redmon Fauset; Dorothy West; Jessie Redmon Fauset; Zora Neale Hurston; Zora Neale Hurston; Dorothy West; Jessie Redmon Fauset; Jessie Redmon Fauset; Zora Neale Hurston; Dorothy West
資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Sharon L Jones
ISBN: 0313323267 9780313323263
OCLC系統控制編碼: 49625071
描述: 159 p. : ill. ; 25 cm.
内容: Deconstructing the Black Bourgeoisie: subversions and diversions in the fiction of Jesssie Fauset --
"How it feels to be colored me": social protest in the fiction of Zora Neale Hurston --
A closet revolutionary: the politics of representation in the fiction of Dorothy West.
叢書名: Contributions in Afro-American and African studies, no. 207.
責任: Sharon L. Jones.
更多資訊:

摘要:

"This rereading of the Harlem Renaissance gives special attention to Fauset, Hurston, and West. Jones argues that all three aesthetics influence each of their works, that they have been historically mislabeled, and that they share a drive to challenge racial, class, and gender oppression. The introduction provides a detailed historical overview of the Harlem Renaissance and the prevailing aesthetics of the period. Individual chapters analyze the works of Hurston, West, and Fauset to demonstrate how the folk, bourgeois, and proletarian aesthetics figure into their writings. The volume concludes by discussing the writers in relation to contemporary African American women authors."--Jacket.

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