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  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/26502064 Title: The return of the visible in British Romanticism Author: William H Galperin Publisher: Baltimore : Johns Hopkins University Press, ©1993. ISBN/ISSN: 080184505X 9780801845055 OCLC:26502064

  
  

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The return of the visible in British Romanticism

Author:	William H Galperin
Publisher:	Baltimore : Johns Hopkins University Press, ©1993.
Edition/Format:	Print book : EnglishView all editions and formats
Summary:	In this path-breaking study William Galperin offers a major revisionist reading of Romanticism that emphasizes the visible - as opposed to visionary - impulse in British Romantic poetry and prose. Employing a wide variety of theoretical insights, Galperin shows not only that the visual impulse is central to an understanding of Romanticism but also that the Romantic preoccupation with the "world seen" forms an integral part of the prehistory of cinema. Galperin challenges the assumption that a single philosophy characterized the art and culture of high Romanticism. Instead, he argues, the culture of the period - both high and low - was a site of competing ideas. From the poetry of Wordsworth and Byron to the painting of John Constable and Caspar David Friedrich to the precinematic institutions of the panorama and the diorama, The Return of the Visible in British Romanticism lends new vigor to ongoing debates about the nature of Romanticism lends new vigor to ongoing debates about the nature of Romanticism, nineteenth-century culture, and the origins of cinema.  Read more...
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Subjects	English literature -- 19th century -- History and criticism. Art and literature -- Great Britain -- History -- 19th century. Description (Rhetoric) -- History -- 19th century. View all subjects
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