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The rhetorical feminine : gender and orient on the German stage, 1647-1742
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The rhetorical feminine : gender and orient on the German stage, 1647-1742

Author: Sarah Colvin
Publisher: Oxford ; New York : Clarendon Press, 1999.
Series: Oxford modern languages and literature monographs.
Edition/Format:   Book : EnglishView all editions and formats
Summary:

This volume takes a fresh look at theatre, including opera, in early modern Germany. Central to the study is the relationship of the stage with ideas of order or social control and how rhetoric was  Read more...

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Additional Physical Format: Online version:
Colvin, Sarah.
Rhetorical feminine.
Oxford ; New York : Clarendon Press, 1999
(OCoLC)607388748
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Sarah Colvin
ISBN: 0198186363 9780198186366
OCLC Number: 41420760
Description: viii, 332 p. : ill. ; 23 cm.
Contents: Introduction: Men, Rhetoric, and the Stage --
1. The Rhetorical Feminine (I): Women and Muslims in the Literary Imagination. Gendering Creed: Catharina von Georgien. The Feminized Turk. Turkish Types: Lohenstein's Ibrahims and Haugwitz's Soliman. Turks in Opera: Bostel's Cara Mustapha Libretto --
2. The Rhetorical Feminine (II): Separating the Women from the Boys. The Misogynist Tradition in Literature. The Problem of the Virile Virgin: Epicharis. Sex and Rhetoric: Lohenstein's Venusian Heroines. The Political Masculine: Haugwitz's Maria Stuarda (1684) --
3. Reading the Signs: Rhetorical Loci and Stage Semiotics. A Black-and-White Interpretation of Hallmann's Dramas. Warning Signs: Literary Witch-Burnings and Other Cautionary Tales. Exemplary Structures: Martyrs and Marriage. Conclusion --
4. Persuasive Sounds: The Rhetoric of Words and Music. Theory: Music's Power. Practice (i): The Elements of Opera. Practice (ii): The Interaction of Music and Text --
5. Persuasive Laughter: Carnival, Theatre, and Control. 'Ein Thor muss Seines Gleichen sehn': Comedy's Audience. Comic (Dis)empowerment: The Fools of Christian Weise and Christian Reuter. Comic Reassurance in Opera. The Romantic and the Carnivalesque: From Gender-Bending to Married Order. Conclusion --
Conclusion: Theatre and the Rhetoric of Otherness.
Series Title: Oxford modern languages and literature monographs.
Responsibility: Sarah Colvin.
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Thorough and persuasive examination of seventeenth- and eighteenth-century theatre ... One of the strengths of this study is its comprehensiveness ... The work offers a panoramic view of the German Read more...

 
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schema:description"Introduction: Men, Rhetoric, and the Stage -- 1. The Rhetorical Feminine (I): Women and Muslims in the Literary Imagination. Gendering Creed: Catharina von Georgien. The Feminized Turk. Turkish Types: Lohenstein's Ibrahims and Haugwitz's Soliman. Turks in Opera: Bostel's Cara Mustapha Libretto -- 2. The Rhetorical Feminine (II): Separating the Women from the Boys. The Misogynist Tradition in Literature. The Problem of the Virile Virgin: Epicharis. Sex and Rhetoric: Lohenstein's Venusian Heroines. The Political Masculine: Haugwitz's Maria Stuarda (1684) -- 3. Reading the Signs: Rhetorical Loci and Stage Semiotics. A Black-and-White Interpretation of Hallmann's Dramas. Warning Signs: Literary Witch-Burnings and Other Cautionary Tales. Exemplary Structures: Martyrs and Marriage. Conclusion -- 4. Persuasive Sounds: The Rhetoric of Words and Music. Theory: Music's Power. Practice (i): The Elements of Opera. Practice (ii): The Interaction of Music and Text -- 5. Persuasive Laughter: Carnival, Theatre, and Control. 'Ein Thor muss Seines Gleichen sehn': Comedy's Audience. Comic (Dis)empowerment: The Fools of Christian Weise and Christian Reuter. Comic Reassurance in Opera. The Romantic and the Carnivalesque: From Gender-Bending to Married Order. Conclusion -- Conclusion: Theatre and the Rhetoric of Otherness."
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