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Rhyme and reason : an introduction to minimalist syntax

저자: Juan Uriagereka
출판사: Cambridge, Mass. : MIT Press, ©1998.
판/형식:   Print book : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
This unusual book takes the form of a dialogue between a linguist and another scientist. The dialogue takes place over six days, with each day devoted to a particular topic - and the ensuing digressions. The role of the linguist is to present the fundamentals of the minimalist program of contemporary generative grammar. Although the linguist is a voice for Noam Chomsky's ideas, he is not intended to be a portrait of  더 읽기…
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자료 유형: 인터넷 자료
문서 형식: 책, 인터넷 자원
모든 저자 / 참여자: Juan Uriagereka
ISBN: 0262210142 9780262210140
OCLC 번호: 38908628
상: Association of American Publishers PROSE Award, 1998.
설명: xlii, 669 pages : illustrations ; 27 cm
내용: Synopsis --
Foreword / Massimo Piattelli-Palmarini --
Preface --
The Linguist Meets the Other --
1. The First Day: The Minimalist Viewpoint --
2. The Second Day: Notation and Reality --
3. The Third Day: Phrases and Linearity --
4. The Fourth Day: Cyclic Transformations --
5. The Fifth Day: Chains and Their Checking Domain --
6. The Sixth Day: Words and Their Internal Domain --
And on the Seventh Day ... --
Appendix / Jairo Nunes and Ellen Thompson --
Chapter Summaries --
Major Definitions, Principles, and Conditions on the Model --
Notes --
Glossary --
Sources of Illustrations --
References --
Index.
책임: Juan Uriagereka.

초록:

This unusual book takes the form of a dialogue between a linguist and another scientist. The dialogue takes place over six days, with each day devoted to a particular topic - and the ensuing digressions. The role of the linguist is to present the fundamentals of the minimalist program of contemporary generative grammar. Although the linguist is a voice for Noam Chomsky's ideas, he is not intended to be a portrait of Chomsky himself. The other scientist functions as a kind of devil's advocate, making the arguments that linguists tend to face from those in the "harder" sciences. In addition to the device of the dialogue, the author employs a myriad of graphics - everything from classical paintings to contemporary cartoons.

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