passa ai contenuti
Richard Wright : critical perspectives past and present Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

Richard Wright : critical perspectives past and present

Autore: Henry Louis Gates, Jr.; Anthony Appiah
Editore: New York : Amistad : Distributed by Penguin USA, ©1993.
Serie: Amistad literary series.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Since the 1940s, when Richard Wright published his best-selling Native Son, he has been one of the most widely read writers of his time and after. Many of Wright's stories were accounts of racially motivated violence that shocked the public at the time of publication and forced his readers to be aware of the horrors of racism in America. Henry Louis Gates, Jr., and K. A. Appiah, editors of Richard Wright: Critical  Per saperne di più…
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Genere/forma: Criticism, interpretation, etc
Persona incaricata: Richard Wright; Richard Wright; Richard Wright
Tipo documento: Book
Tutti gli autori / Collaboratori: Henry Louis Gates, Jr.; Anthony Appiah
ISBN: 1567430147 9781567430141 1567430279 9781567430271
Numero OCLC: 27225221
Descrizione: xvi, 476 p.; 24 cm.
Contenuti: REVIEWS --
ESSAYS: Wright's craft: the short stories / Edward Margolies --
Lawd today: Wright's tricky apprenticeship / William Burrison --
How Native son was born / Keneth Kinnamon --
Uncovering the magical disguise of language: the narrative presence in Richard Wright's Native son / Laura E. Tanner --
The re(a)d and the black / Barbara Johnson --
Celebrity as identity: Native son and mass culture / Ross Pudaloff --
The figurative web of Native son / Joyce Anne Joyce --
The politics of poetics: ideology and narrative form in An American tragedy and Native son / Barbara Foley --
On knowing our place / Houston A. Baker, Jr. --
Literacy and ascent: Black boy / Rebert Stepto --
Sociology of an existence: Wright and the Chicago School / Carla Cappetti --
The metamorphosis of Black boy / Janice Thaddeus --
Negating the Negation: the construction of Richard Wright / Abdul R. Janmohamed --
"I do believe him though I know he lies": Lying as genre and metaphor in Black boy / Timothy Dow Adams --
The horror and the glory: Wright's portrait of the artist in Black boy and American hunger / Horace A. Porter --
"Arise, ye pris'ners of starvation": Richard Wright's Black boy and American hunger / Herbert Leibowitz --
Wright's American hunger / Dan McCall --
Christian existentialism in The outsider / Claudia C. Tate --
Drama and denial in The outsider / Mae Henderson --
Richard Wright and the art of non-fiction: stepping out on the stage of the world / John M. Reilly --
Sexual initiation and survival in The long dream / Earl V. Bryant --
Alienation and creativity in the fiction of Richard Wright / Valerie Smith.
Titolo della serie: Amistad literary series.
Responsabilità: edited by Henry Louis Gates, Jr. and K.A. Appiah.
Maggiori informazioni:

Abstract:

Since the 1940s, when Richard Wright published his best-selling Native Son, he has been one of the most widely read writers of his time and after. Many of Wright's stories were accounts of racially motivated violence that shocked the public at the time of publication and forced his readers to be aware of the horrors of racism in America. Henry Louis Gates, Jr., and K. A. Appiah, editors of Richard Wright: Critical Perspectives Past and Present, selected reviews of Wright's work by his contemporaries and colleagues, such as Zora Neale Hurston, Ralph Ellison, and Alain Locke - figures who now stand on their own in literary history. The editors join these reviews with essays by present-day scholars such as Houston Baker, Jr., author of Working of the Spirit and The Journey Back; Claudia Tate, author of Black Women Writers at Work; and Herbert Leibowitz, author of Fabricating Lives. This collection looks not only at Wright's seminal works of fiction, but at his nonfiction and autobiographical writings as well. Black Boy, published in 1945, is the first volume of Wright's autobiography and is "if not Wright's biggest book, it is perhaps his best, and surely his best written," according to Dan McCall of American Poetry Review. The second volume, American Hunger, he said, "deserved high marks for the quality of its prose, but lacks the brutal intensity of the Southern context to give that writing its coherence and sustained power.... American Hunger extends Black Boy without enlarging it." Students and fans of Wright cannot fully appreciate him as a writer or a man without acknowledging his political as well as literary life. Wright was a part of the communist movement and an expatriate. Claudia Tate wrote in the College Language Association journal that "when The Outsider appeared in 1953, even many of Wright's most supportive critics were disappointed by what they perceived to be the intrusion of his politics on his art. They contended that the novel was a literary contrivance based on foreign philosophy and left-wing political theory." Wright made direct connections between his political work and his artistic work. "Through a Marxist conception of reality and society the maximum degree of freedom in thought and feeling can be gained for the Negro writer," he said. Marxism, though, was no panacea for Wright; controversy followed him in that arena as well as every other he entered - from Mississippi to Europe and Africa. Wright drew on and opened himself up to many experiences at home and abroad as a writer and a man. From the publication of "Superstition" in Abbott's Monthly Magazine in 1931 until his death in 1960 and after, when both Eight Men and American Hunger were published, his accomplishments transcended the national and racial boundaries that were the grist for his creative mill. The enduring popularity of Richard Wright among lay readers and the academic community alike insures that Richard Wright: Critical Perspectives Past and Present is an important addition to the body of American literary criticism and the newly launched Amistad Literary Series, which is devoted to literary criticism and fiction by and about African-American writers.

Commenti

Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Diventa il primo.
Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/27225221>
library:oclcnum"27225221"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
schema:about
schema:about
<http://viaf.org/viaf/34464524>
rdf:typeschema:Person
schema:birthDate"1908"
schema:deathDate"1960"
schema:familyName"Wright"
schema:givenName"Richard"
schema:name"Wright, Richard, 1908-1960."
schema:name"Wright, Richard"
schema:name"Wright, Richard, 1908-1960"
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:contributor
schema:copyrightYear"1993"
schema:datePublished"1993"
schema:description"Since the 1940s, when Richard Wright published his best-selling Native Son, he has been one of the most widely read writers of his time and after. Many of Wright's stories were accounts of racially motivated violence that shocked the public at the time of publication and forced his readers to be aware of the horrors of racism in America. Henry Louis Gates, Jr., and K. A. Appiah, editors of Richard Wright: Critical Perspectives Past and Present, selected reviews of Wright's work by his contemporaries and colleagues, such as Zora Neale Hurston, Ralph Ellison, and Alain Locke - figures who now stand on their own in literary history. The editors join these reviews with essays by present-day scholars such as Houston Baker, Jr., author of Working of the Spirit and The Journey Back; Claudia Tate, author of Black Women Writers at Work; and Herbert Leibowitz, author of Fabricating Lives. This collection looks not only at Wright's seminal works of fiction, but at his nonfiction and autobiographical writings as well. Black Boy, published in 1945, is the first volume of Wright's autobiography and is "if not Wright's biggest book, it is perhaps his best, and surely his best written," according to Dan McCall of American Poetry Review. The second volume, American Hunger, he said, "deserved high marks for the quality of its prose, but lacks the brutal intensity of the Southern context to give that writing its coherence and sustained power.... American Hunger extends Black Boy without enlarging it." Students and fans of Wright cannot fully appreciate him as a writer or a man without acknowledging his political as well as literary life. Wright was a part of the communist movement and an expatriate. Claudia Tate wrote in the College Language Association journal that "when The Outsider appeared in 1953, even many of Wright's most supportive critics were disappointed by what they perceived to be the intrusion of his politics on his art. They contended that the novel was a literary contrivance based on foreign philosophy and left-wing political theory." Wright made direct connections between his political work and his artistic work. "Through a Marxist conception of reality and society the maximum degree of freedom in thought and feeling can be gained for the Negro writer," he said. Marxism, though, was no panacea for Wright; controversy followed him in that arena as well as every other he entered - from Mississippi to Europe and Africa. Wright drew on and opened himself up to many experiences at home and abroad as a writer and a man. From the publication of "Superstition" in Abbott's Monthly Magazine in 1931 until his death in 1960 and after, when both Eight Men and American Hunger were published, his accomplishments transcended the national and racial boundaries that were the grist for his creative mill. The enduring popularity of Richard Wright among lay readers and the academic community alike insures that Richard Wright: Critical Perspectives Past and Present is an important addition to the body of American literary criticism and the newly launched Amistad Literary Series, which is devoted to literary criticism and fiction by and about African-American writers."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/889725608>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:isPartOf
schema:name"Richard Wright : critical perspectives past and present"@en
schema:numberOfPages"476"
schema:publication
schema:publisher
schema:publisher
schema:workExample
schema:workExample
wdrs:describedby

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.