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The right to play oneself : looking back on documentary film

Autore: Thomas Waugh
Editore: Minneapolis : University of Minnesota Press, ©2011.
Serie: Visible evidence, v. 23.
Edizione/Formato:   Libro a stampa : State or province government publication : EnglishVedi tutte le edizioni e i formati
Sommario:

Discussions of "committed" documentary by a "committed" historian of film.

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Genere/forma: Criticism, interpretation, etc
Tipo materiale: Government publication, State or province government publication
Tipo documento Libro
Tutti gli autori / Collaboratori: Thomas Waugh
{0} 9780816645862 0816645868 9780816645879 0816645876
Numero OCLC: 655302640
Descrizione: xxi, 312 pages : illustrations ; 26 cm.
Contenuti: Preface : of pulses, panaceas, and parallel universes --
Why documentary filmmakers keep trying to change the world, or why people changing the world keep making documentaries (1984) --
Dziga Vertov, 1930s populism, and Three songs of Lenin (1975) --
Bread, water, blood, rifles, planes : documentary imagery of the Spanish Civil War from the North American Popular Front (1990) --
Acting to play oneself : performance in documentary (1990) --
Beyond Vøritø : Emile de Antonio (1977) --
Sufficient virtue, necessary artistry : the shifting challenges of revolutionary documentary history (2006-08) --
Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics (1984) --
Walking on tippy toes : lesbian and gay liberation documentary of the post-stonewall period (1997) --
"Words of command" : cultural and political inflections of direct cinema in Indian independent documentary (1990) --
Joris Ivens and the legacy of committed documentary (1999).
Titolo della serie: Visible evidence, v. 23.
Responsabilità: Thomas Waugh.

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