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The right to play oneself : looking back on documentary film

Autor: Thomas Waugh
Editora: Minneapolis : University of Minnesota Press, ©2011.
Séries: Visible evidence, v. 23.
Edição/Formato   Imprimir livro : Publicação de governo estadual ou província : InglêsVer todas as edições e formatos
Resumo:

Discussions of "committed" documentary by a "committed" historian of film.

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Detalhes

Gênero/Forma: Criticism, interpretation, etc
Tipo de Material: Publicação do governo, Publicação de governo estadual ou província
Tipo de Documento Livro
Todos os Autores / Contribuintes: Thomas Waugh
ISBN: 9780816645862 0816645868 9780816645879 0816645876
Número OCLC: 655302640
Descrição: xxi, 312 pages : illustrations ; 26 cm.
Conteúdos: Preface : of pulses, panaceas, and parallel universes --
Why documentary filmmakers keep trying to change the world, or why people changing the world keep making documentaries (1984) --
Dziga Vertov, 1930s populism, and Three songs of Lenin (1975) --
Bread, water, blood, rifles, planes : documentary imagery of the Spanish Civil War from the North American Popular Front (1990) --
Acting to play oneself : performance in documentary (1990) --
Beyond Vøritø : Emile de Antonio (1977) --
Sufficient virtue, necessary artistry : the shifting challenges of revolutionary documentary history (2006-08) --
Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics (1984) --
Walking on tippy toes : lesbian and gay liberation documentary of the post-stonewall period (1997) --
"Words of command" : cultural and political inflections of direct cinema in Indian independent documentary (1990) --
Joris Ivens and the legacy of committed documentary (1999).
Título da Série: Visible evidence, v. 23.
Responsabilidade: Thomas Waugh.

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"There is no one quite like Thomas Waugh. As this glorious collection shows, while always alert and responsive to changes in documentary and attitudes towards documentary, he has more than Ler mais...

 
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