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The right to play oneself : looking back on documentary film

作者: Thomas Waugh
出版商: Minneapolis : University of Minnesota Press, ©2011.
叢書: Visible evidence, v. 23.
版本/格式:   打印圖書 : 州政府或者省政府刊物 : 英語所有版本和格式的總覽
提要:

Discussions of "committed" documentary by a "committed" historian of film.

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類型/形式: Criticism, interpretation, etc
資料類型: 政府刊物, 州政府或者省政府刊物
文件類型 圖書
所有的作者/貢獻者: Thomas Waugh
ISBN: 9780816645862 0816645868 9780816645879 0816645876
OCLC系統控制編碼: 655302640
描述: xxi, 312 pages : illustrations ; 26 cm.
内容: Preface : of pulses, panaceas, and parallel universes --
Why documentary filmmakers keep trying to change the world, or why people changing the world keep making documentaries (1984) --
Dziga Vertov, 1930s populism, and Three songs of Lenin (1975) --
Bread, water, blood, rifles, planes : documentary imagery of the Spanish Civil War from the North American Popular Front (1990) --
Acting to play oneself : performance in documentary (1990) --
Beyond Vøritø : Emile de Antonio (1977) --
Sufficient virtue, necessary artistry : the shifting challenges of revolutionary documentary history (2006-08) --
Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics (1984) --
Walking on tippy toes : lesbian and gay liberation documentary of the post-stonewall period (1997) --
"Words of command" : cultural and political inflections of direct cinema in Indian independent documentary (1990) --
Joris Ivens and the legacy of committed documentary (1999).
叢書名: Visible evidence, v. 23.
責任: Thomas Waugh.

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"There is no one quite like Thomas Waugh. As this glorious collection shows, while always alert and responsive to changes in documentary and attitudes towards documentary, he has more than 再讀一些...

 
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