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Robert Lettner : In dialogue with the Chinese landscape ; Utopia of ornaments ; New Wunderkammer of Rococo

Author: Robert Lettner; Florian Knothe; Harald Kraemer; University of Hong Kong. University Museum and Art Gallery,; City University of Hong Kong. School of Creative Media,
Publisher: [Pokfulam, Hong Kong] : University Museum and Art Gallery, The University of Hong Kong [2017] ©2017
Edition/Format:   Print book : English
Summary:
Published in conjunction with three Robert Lettner exhibitions staged across Hong Kong in 2017, this volume surveys artworks from the Austrian artist's long career from the 1960s until his death, focusing specifically on his interest in representing landscapes. It is the first publication of his work to appear in English and Chinese. Lettner immersed himself in the natural world, vividly depicting his vision on  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Named Person: Robert Lettner; Robert Lettner
Document Type: Book
All Authors / Contributors: Robert Lettner; Florian Knothe; Harald Kraemer; University of Hong Kong. University Museum and Art Gallery,; City University of Hong Kong. School of Creative Media,
ISBN: 9789881902467 9881902460
OCLC Number: 1026340945
Language Note: In English and Chinese.
Notes: "A cooperation between Hong Kong University Museum and Art Gallery & City University of Hong Kong / School of Creative Media."--Page 6.
Description: 76 pages : color illustrations ; 30 cm
Other Titles: Utopia of ornaments
New Wunderkammer of Rococo
Shen zai hun dun, xin xiang qing ming
Tan mi Ruokeke
In dialogue with the Chinese landscape
Shan shui zhe si
Responsibility: edited by Florian Knothe and Harald Kraemer.

Abstract:

Published in conjunction with three Robert Lettner exhibitions staged across Hong Kong in 2017, this volume surveys artworks from the Austrian artist's long career from the 1960s until his death, focusing specifically on his interest in representing landscapes. It is the first publication of his work to appear in English and Chinese. Lettner immersed himself in the natural world, vividly depicting his vision on paper. He also was attracted to traditional art forms from the East, particularly the shan shui philosophy of landscape painting. He explored the artistic world through a language that combined the Chinese aesthetics of the void and watercolour landscapes.

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