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Robert Rauschenberg : cardboards and related pieces

Author: Robert Rauschenberg; Yve Alain Bois; Clare Elliott; Josef Helfenstein; Menil Collection (Houston, Tex.)
Publisher: Houston, Tex. : Menil Collection ; New Haven ; London : [Distributed by] Yale University Press, ©2007.
Series: Menil Collection.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
This volume is the first to focus exclusively on Rauschenberg's rarely seen Cardboards, along with related works from his Made in Tampa Clay, Cardbirds, Egyptian, and Venetian series.
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Details

Genre/Form: Exhibition catalogs
Exhibitions
Expositions
Ausstellung
Additional Physical Format: Online version:
Robert Rauschenberg.
Houston, Tex. : Menil Collection ; New Haven ; London : [distributed by] Yale University Press, ©2007
(OCoLC)608207445
Named Person: Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Robert Rauschenberg; Yve Alain Bois; Clare Elliott; Josef Helfenstein; Menil Collection (Houston, Tex.)
ISBN: 9780300123784 0300123787 9780939594634 0939594633
OCLC Number: 81452931
Notes: Published on the occasion of the exhibition held at the Menil Collection, Houston, Tex., Feb. 23-May 13, 2007.
Description: 152 pages : illustrations (some color) ; 29 cm.
Contents: Introduction / Josef Helfenstein --
Pause / Yve-Alain Bois --
Color plates --
Catalogue / compiled by Clare Elliott --
Selected exhibitions / compiled by Clare Elliott --
Selected bibliography / compiled by Clare Elliott.
Series Title: Menil Collection.
Other Titles: Cardboards and related pieces
Responsibility: [essay by] Yve-Alain Bois ; [catalogue, selected exhibitions, selected bibliography compiled by] Clare Elliott ; [introduction by] Josef Helfenstein.

Abstract:

Robert Rauschenberg began to investigate the boundaries between painting and sculpture in the 1950s, working with a variety of found objects in his Combine paintings and freestanding Combines. This  Read more...
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