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The role of political and sexual identity in the works of Klaus Mann Titelvorschau
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The role of political and sexual identity in the works of Klaus Mann

Verfasser/in: James Robert Keller
Herausgeber: New York : P. Lang, ©2001.
Serien: Studies on themes and motifs in literature, v. 56.
Ausgabe/Format   Gedrucktes Buch : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"This critical study attempts to determine the role of sexual and political identity in Klaus Mann's works. By examining such recurrent thematic patterns as the work of art as progeny, supernatural births, the image of the writer as soldier and monk, or obsession with death, among others, the study finds in Klaus Mann a characteristic sense of "social self-identity." This is the first book-length treatment of Mann's
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Name: Klaus Mann; Klaus Mann; Klaus Mann; Klaus Mann
Medientyp: Internetquelle
Dokumenttyp Buch, Internet-Ressource
Alle Autoren: James Robert Keller
ISBN: 0820449067 9780820449067
OCLC-Nummer: 44548961
Beschreibung: viii, 201 pages ; 24 cm.
Inhalt: Introduction: Klaus Mann and the Question of Identity --
Ch. 1. Klaus Mann and Identity Questions Framed in History --
Ch. 2. Klaus Mann's Kindernovelle, 'Der Vater lacht, ' and 'Marchen' and Thomas Mann's Unordnung und fruhes Leid Reconsidered: Emerging Patterns of Identity --
Ch. 3. Patterns of Political and Sexual Identity in Klaus Mann's Nonfiction --
Ch. 4. Political Development and Sexual Identity in Mann's Novels and in His Plays Anja und Esther and Der siebente Engel --
Ch. 5. Identity Patterns in Revue zu Vieren, Geschwister, Symphonie Pathetique, Alexander, 'The Monk, ' and Other Works --
Ch. 6. Conclusion.
Serientitel: Studies on themes and motifs in literature, v. 56.
Verfasserangabe: James Robert Keller.

Abstract:

"This critical study attempts to determine the role of sexual and political identity in Klaus Mann's works. By examining such recurrent thematic patterns as the work of art as progeny, supernatural births, the image of the writer as soldier and monk, or obsession with death, among others, the study finds in Klaus Mann a characteristic sense of "social self-identity." This is the first book-length treatment of Mann's fiction and non-fiction prose, drama, and diaries to show the interrelationship between his political development as an anti-fascist and his sexual identity as a gay writer.

The theoretical approach to Mann's works contrasts earlier twentieth-century conceptions of personal identity, articulated by such writers as Erik Erikson, Karen Horney, and Erich Fromm, with more recent thinking on identity questions."--Jacket.

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