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The role of political and sexual identity in the works of Klaus Mann

Auteur : James Robert Keller
Éditeur : New York : P. Lang, ©2001.
Collection : Studies on themes and motifs in literature, v. 56.
Édition/format :   Livre : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"This critical study attempts to determine the role of sexual and political identity in Klaus Mann's works. By examining such recurrent thematic patterns as the work of art as progeny, supernatural births, the image of the writer as soldier and monk, or obsession with death, among others, the study finds in Klaus Mann a characteristic sense of "social self-identity." This is the first book-length treatment of Mann's
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Détails

Personne nommée : Klaus Mann; Klaus Mann; Klaus Mann
Format : Livre
Tous les auteurs / collaborateurs : James Robert Keller
ISBN : 0820449067 9780820449067
Numéro OCLC : 44548961
Description : viii, 201 pages ; 24 cm.
Contenu : Introduction: Klaus Mann and the Question of Identity --
Ch. 1. Klaus Mann and Identity Questions Framed in History --
Ch. 2. Klaus Mann's Kindernovelle, 'Der Vater lacht, ' and 'Marchen' and Thomas Mann's Unordnung und fruhes Leid Reconsidered: Emerging Patterns of Identity --
Ch. 3. Patterns of Political and Sexual Identity in Klaus Mann's Nonfiction --
Ch. 4. Political Development and Sexual Identity in Mann's Novels and in His Plays Anja und Esther and Der siebente Engel --
Ch. 5. Identity Patterns in Revue zu Vieren, Geschwister, Symphonie Pathetique, Alexander, 'The Monk, ' and Other Works --
Ch. 6. Conclusion.
Titre de collection : Studies on themes and motifs in literature, v. 56.
Responsabilité : James Robert Keller.

Résumé :

"This critical study attempts to determine the role of sexual and political identity in Klaus Mann's works. By examining such recurrent thematic patterns as the work of art as progeny, supernatural births, the image of the writer as soldier and monk, or obsession with death, among others, the study finds in Klaus Mann a characteristic sense of "social self-identity." This is the first book-length treatment of Mann's fiction and non-fiction prose, drama, and diaries to show the interrelationship between his political development as an anti-fascist and his sexual identity as a gay writer.

The theoretical approach to Mann's works contrasts earlier twentieth-century conceptions of personal identity, articulated by such writers as Erik Erikson, Karen Horney, and Erich Fromm, with more recent thinking on identity questions."--Jacket.

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