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| 資料の種類: | インターネット資料 |
|---|---|
| ドキュメントの種類: | 図書, インターネットリソース |
| すべての著者/寄与者: |
Jaś Elsner |
| ISBN: | 9780691096773 0691096775 |
| OCLC No.: | 71266643 |
| 形態 | xvii, 350 p., [8] p. of plates : ill. (some col.) ; 26 cm. |
| コンテンツ: | Between Mimesis and Divine Power: Visuality in the Greco-Roman World -- Pt. 1. Ancient Discourses of Art. Image and Ritual: Pausanias and the Sacred Culture of Greek Art -- Discourses of Style: Connoisseurship in Pausanias and Lucian -- Ekphrasis and the Gaze: From Roman Poetry to Domestic Wall Painting -- Pt. 2. Ways of Viewing. Viewing and Creativity: Ovid's Pygmalion as Viewer -- Viewer as Image: Intimations of Narcissus -- Viewing and Decadence: Petronius' Picture Gallery -- Genders of Viewing: Visualizing Woman in the Casket of Projecta -- Viewing the Gods: The Origins of the Icon in the Visual Culture of the Roman East -- Viewing and Resistance: Art and Religion in Dura Europos -- Epilogue: From Diana via Venus to Isis: Viewing the Deity with Apuleius. |
| 責任者: | Jaś Elsner. |
| その他の情報: |
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出版社によるあらすじ
This volume is and will remain a significant contribution to the discourse on Roman art. What it does, it does admirably although it clings tenaciously to a single approach with its own limitations. It is useful as one piece of a complex puzzle about the intentions and reception of art. -- Diana E. E. Kleiner International Journal of the Classical Tradition The handsomely produced book ... [is] sure to do much to shift the parameters of Roman 'art history' even further and to enrich its discussion. -- Peter Stewart Art History [V]ery well and clearly written ... and well presented... Roman Eyes in particular counts as a bargain these days. -- Victor Castellani European Legacy A book that is largely a collection of previously published papers runs the risk of presenting a disjointed argument. But that is not the case here. Elsner's revisions have provided a complex, but coherent argument that explores the act of viewing in the GrecoRoman world and makes a number of important observations. The interweaving of text and image, the exploration of cult practice and the discussion of private art in its context means that the book will be of interest to more than those interested in art history. It deserves to find a prominent place in collections dealing with Roman material culture. -- John Geyssen Phoenix 続きを読む
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