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Romanticism and the Gothic : genre, reception, and canon formation

Autor Michael Gamer
Vydavatel: Cambridge [England] ; New York : Cambridge University Press, 2000.
Edice: Cambridge studies in Romanticism, 40.
Vydání/formát:   book : EnglishZobrazit všechny vydání a formáty
Databáze:WorldCat
Zhrnutí:
"Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he  Read more...
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Detaily

Osoba: William Wordsworth; Joanna Baillie; Walter Scott; Joanna Baillie; William Wordsworth; William Wordsworth; Joanna Baillie; Walter Scott, Sir; William Wordsworth; Joanna Baillie; Walter Sir Scott; William (1770-1850) Wordsworth; Joanna Baillie; Walter Scott
Typ materiálu: Internet resource
Typ dokumentu: Book, Internet Resource
Všichni autoři/tvůrci: Michael Gamer
ISBN: 0521773288 9780521773287
OCLC číslo: 42955448
Popis: xiii, 255 p. ; 24 cm.
Obsahy: Introduction: Romanticism's "pageantry of fear" --
Gothic, reception, and production --
Gothic and its contexts --
"Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 --
National supernaturalism: Joanna Baillie, Germany, and the gothic drama --
"To foist thy stale romance": Scott, antiquarianism, and authorship.
Název edice: Cambridge studies in Romanticism, 40.
Odpovědnost: Michael Gamer.
Více informací:

Anotace:

"Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--Jacket.

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