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Romanticism and the Gothic : genre, reception, and canon formation

Autor: Michael Gamer
Editorial: Cambridge [England] ; New York : Cambridge University Press, 2000.
Serie: Cambridge studies in Romanticism, 40.
Edición/Formato:   Print book : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he  Leer más
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Detalles

Género/Forma: Criticism, interpretation, etc
History
Persona designada: William Wordsworth; Joanna Baillie; Walter Scott; Joanna Baillie; William Wordsworth; William Wordsworth; Joanna Baillie; Walter Scott, Sir; Joanna Baillie; Walter Scott; William Wordsworth; Joanna Baillie; Walter Sir Scott; William (1770-1850) Wordsworth; Joanna Baillie; Walter Scott; Joanna Baillie; Walter Scott; William Wordsworth
Tipo de material: Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Michael Gamer
ISBN: 0521773288 9780521773287
Número OCLC: 42955448
Descripción: xiii, 255 pages ; 24 cm.
Contenido: Introduction: Romanticism's "pageantry of fear" --
Gothic, reception, and production --
Gothic and its contexts --
"Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 --
National supernaturalism: Joanna Baillie, Germany, and the gothic drama --
"To foist thy stale romance": Scott, antiquarianism, and authorship.
Título de la serie: Cambridge studies in Romanticism, 40.
Responsabilidad: Michael Gamer.
Más información:

Resumen:

"Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--Jacket.

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