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Romanticism and the Gothic : genre, reception, and canon formation

Auteur : Michael Gamer
Éditeur : Cambridge [England] ; New York : Cambridge University Press, 2000.
Collection : Cambridge studies in Romanticism, 40.
Édition/format :   Print book : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
History
Personne nommée : William Wordsworth; Joanna Baillie; Walter Scott; Joanna Baillie; William Wordsworth; William Wordsworth; Joanna Baillie; Walter Scott, Sir; Joanna Baillie; Walter Scott; William Wordsworth; Joanna Baillie; Walter Sir Scott; William (1770-1850) Wordsworth; Joanna Baillie; Walter Scott; Joanna Baillie; Walter Scott; William Wordsworth
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Michael Gamer
ISBN : 0521773288 9780521773287
Numéro OCLC : 42955448
Description : xiii, 255 pages ; 24 cm.
Contenu : Introduction: Romanticism's "pageantry of fear" --
Gothic, reception, and production --
Gothic and its contexts --
"Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 --
National supernaturalism: Joanna Baillie, Germany, and the gothic drama --
"To foist thy stale romance": Scott, antiquarianism, and authorship.
Titre de collection : Cambridge studies in Romanticism, 40.
Responsabilité : Michael Gamer.
Plus d’informations :

Résumé :

"Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--Jacket.

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