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Romanticism and the Gothic : genre, reception, and canon formation

Auteur: Michael Gamer
Uitgever: Cambridge [England] ; New York : Cambridge University Press, 2000.
Serie: Cambridge studies in Romanticism, 40.
Editie/Formaat:   Boek : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
"Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he  Meer lezen...
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Genoemd persoon: William Wordsworth; Joanna Baillie; Walter Scott; Joanna Baillie; William Wordsworth; William Wordsworth; Joanna Baillie; Walter Scott, Sir; William Wordsworth; Joanna Baillie; Walter Sir Scott; William (1770-1850) Wordsworth; Joanna Baillie; Walter Scott
Genre: Internetbron
Soort document: Boek, Internetbron
Alle auteurs / medewerkers: Michael Gamer
ISBN: 0521773288 9780521773287
OCLC-nummer: 42955448
Beschrijving: xiii, 255 p. ; 24 cm.
Inhoud: Introduction: Romanticism's "pageantry of fear" --
Gothic, reception, and production --
Gothic and its contexts --
"Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 --
National supernaturalism: Joanna Baillie, Germany, and the gothic drama --
"To foist thy stale romance": Scott, antiquarianism, and authorship.
Serietitel: Cambridge studies in Romanticism, 40.
Verantwoordelijkheid: Michael Gamer.
Meer informatie:

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"Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--Jacket.

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