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Romanticism and the Gothic : genre, reception, and canon formation

著者: Michael Gamer
出版商: Cambridge [England] ; New York : Cambridge University Press, 2000.
丛书: Cambridge studies in Romanticism, 40.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he  再读一些...
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详细书目

提及的人: William Wordsworth; Joanna Baillie; Walter Scott; Joanna Baillie; William Wordsworth; William Wordsworth; Joanna Baillie; Walter Scott, Sir; William Wordsworth; Joanna Baillie; Walter Sir Scott; William (1770-1850) Wordsworth; Joanna Baillie; Walter Scott
材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Michael Gamer
ISBN: 0521773288 9780521773287
OCLC号码: 42955448
描述: xiii, 255 p. ; 24 cm.
内容: Introduction: Romanticism's "pageantry of fear" --
Gothic, reception, and production --
Gothic and its contexts --
"Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 --
National supernaturalism: Joanna Baillie, Germany, and the gothic drama --
"To foist thy stale romance": Scott, antiquarianism, and authorship.
丛书名: Cambridge studies in Romanticism, 40.
责任: Michael Gamer.
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摘要:

"Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--Jacket.

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