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Romanticism, lyricism, and history

Author: Sarah MacKenzie Zimmerman
Publisher: Albany : State University of New York Press, ©1999.
Edition/Format:   eBook : Document : State or province government publication : EnglishView all editions and formats
Database:WorldCat
Summary:
"Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences--not the silent, passive auditor of canonical paradigms, but  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
History
Additional Physical Format: Print version:
Zimmerman, Sarah MacKenzie.
Romanticism, lyricism, and history.
Albany : State University of New York Press, ©1999
(DLC) 99010644
(OCoLC)40609306
Named Person: William Wordsworth; John Clare; Charlotte Smith; Dorothy Wordsworth; William Wordsworth; John Clare; Charlotte Turner Smith; Dorothy Wordsworth; William Wordsworth; John Clare; Charlotte Turner Smith; Dorothy Wordsworth; John Clare; Charlotte Smith; Dorothy Wordsworth; William Wordsworth
Material Type: Document, Government publication, State or province government publication, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Sarah MacKenzie Zimmerman
ISBN: 0585091528 9780585091525
OCLC Number: 42856403
Description: 1 online resource (xxii, 233 pages) : illustrations
Contents: Standard References xxi --
1 The History of an Aura: Romantic Lyricism and the Millennium that Didn't Come 1 --
2 "Dost thou not know my voice?": Charlotte Smith and the Lyric's Audience 39 --
3 William Wordsworth and the Uses of Lyricism 73 --
4 Dorothy Wordsworth and the Liabilities of Literary Production 113 --
5 John Clare's Poetics and Politics of Loss 147.
Responsibility: Sarah M. Zimmerman.
More information:

Abstract:

"Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences--not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poet's careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace. Book jacket."--Jacket.

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