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Rome : the age of reason

Author: Caroline SpeedLesley EvansArthur BennettIvor RichardsonStanley SadieAll authors
Publisher: Princeton, NJ : Films for the Humanities, ©1988.
Series: Man and music (Princeton, N.J.)., Rome.
Edition/Format:   VHS video : PAL color broadcast system : VHS tape   Visual material : English
Database:WorldCat
Summary:
This was the time of the grand musical spectacle and the development of the oratorio. Militantly engaged in rebutting the Protestants, the Roman Church established oratories where the congregation would sing sacred music - a practice unknown before the Counter-Reformation. The result was the oratorio, the Church's answer to opera, which it closely resembles in form. This is the age of the Baroque, represented in  Read more...
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Details

Genre/Form: Criticism, interpretation, etc
History
Named Person: Girolamo Frescobaldi; Giacomo Carissimi; Luigi Rossi; Giacomo Carissimi; Girolamo Frescobaldi; Luigi Rossi
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Caroline Speed; Lesley Evans; Arthur Bennett; Ivor Richardson; Stanley Sadie; Bamber Gascoigne; Anthony Cash; Robin Lough; Films for the Humanities (Firm); Granada Television International.
OCLC Number: 664574218
Notes: Documentary.
"FFH 1768."
VHS (PAL).
Credits: Producer, Tony Cash ; director, Robin Lough ; written and narrated by Bamber Gascoigne ; musical advisor, Stanley Sadie ; rostrum cameraman, Ivor Richardson ; film editors, Arthur Bennett, Lesley Evans ; research, Caroline Speed.
Description: 1 videocassette (53 min.) : sd., col. with b&w sequences ; 1/2 in.
Series Title: Man and music (Princeton, N.J.)., Rome.
Other Titles: Age of reason.
Age of reform.
Responsibility: Granada Television International.

Abstract:

This was the time of the grand musical spectacle and the development of the oratorio. Militantly engaged in rebutting the Protestants, the Roman Church established oratories where the congregation would sing sacred music - a practice unknown before the Counter-Reformation. The result was the oratorio, the Church's answer to opera, which it closely resembles in form. This is the age of the Baroque, represented in painting and sculpture by such artists as Caravaggio and Bernini. Musical contents include sections of works by Frescobaldi, Luigi Rossi, Carissimi, and others.

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Primary Entity

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