コンテンツへ移動
Romola 資料のプレビュー
閉じる資料のプレビュー
確認中…

Romola

著者: George Eliot; Andrew Brown
出版: Oxford [England] : Clarendon Press ; New York : Oxford University Press, 1993.
エディション/フォーマット:   書籍 : Fiction : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Ramola always occupied a special place in George Eliot's own affections, Looking back at the end of her career she remarked 'I felt some wonder that anyone should think I had written anything better'. The copy text for the Clarendon edition is the serialization in the Cornhill Magazine (July 1862-August 1863), emended to incorporate authorial revisions in the first edition in book form (1863), the Illustrated  続きを読む
評価:

(まだ評価がありません) 0 件のレビュー - まずはあなたから!

件名
関連情報

 

オフラインで入手

&AllPage.SpinnerRetrieving; この資料の所蔵館を検索中…

詳細

ジャンル/形式: Psychological fiction
Domestic fiction
Biographical fiction
Historical fiction
Fiction
その他のフォーマット: Online version:
Eliot, George, 1819-1880.
Romola.
Oxford [England] : Clarendon Press ; New York : Oxford University Press, 1993
(OCoLC)745695198
関連の人物: Girolamo Savonarola
資料の種類: Fiction, インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: George Eliot; Andrew Brown
ISBN: 0198125941 9780198125945
OCLC No.: 25747112
形態 lxxxii, 688 p. : ill. ; 22 cm.
責任者: George Eliot ; edited by Andrew Brown.
その他の情報:

概要:

Ramola always occupied a special place in George Eliot's own affections, Looking back at the end of her career she remarked 'I felt some wonder that anyone should think I had written anything better'. The copy text for the Clarendon edition is the serialization in the Cornhill Magazine (July 1862-August 1863), emended to incorporate authorial revisions in the first edition in book form (1863), the Illustrated edition (1865), and the setting copy and proofs of the Cabinet edition (1877-8). A number of manuscript readings are also restored, where it seems likely that the Cornhill compositor misread the handwriting. Changes and deletions in the manuscript are recorded in the apparatus, along with rejected variants from post-Cornhill printings. Drawings on George Eliot's unpublished journals and notebooks, the introduction gives a comprehensive account of the genesis, composition, and publishing history of the novel: her two visits to Florence; her prodigious preparatory research before she began writing; her negotiations with the publisher George Smith, who offered her the astonishing sum of 10,000 pounds for the book; her correspondence with Frederic Leighton, who illustrated the novel for the Cornhill; and the persistent ill-health and depression that afflicted her throughout the period of composition. Since its first appearance, Romola has perplexed many of George Eliot's admirers by the range and density of its historical references. Here, in a series of unusually extensive notes, the sources of these allusion are traced and their significance explained. The result is to re-establish the novel as one of the very greatest of her artistic accomplishments - in Henry James's words, 'on the whole the finest thing she wrote'.

レビュー

ユーザーレビュー
GoodReadsのレビューを取得中…
DOGObooksのレビューを取得中…

タグ

まずはあなたから!
リクエストの確認

あなたは既にこの資料をリクエストしている可能性があります。このリクエストを続行してよろしければ、OK を選択してください。

リンクデータ


<http://www.worldcat.org/oclc/25747112>
library:oclcnum"25747112"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/25747112>
rdf:typeschema:Book
rdfs:seeAlso
schema:about
schema:about
schema:about
schema:about
rdf:typeschema:Person
schema:name"Savonarola, Girolamo, 1452-1498"
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:author
schema:contributor
schema:datePublished"1993"
schema:description"Ramola always occupied a special place in George Eliot's own affections, Looking back at the end of her career she remarked 'I felt some wonder that anyone should think I had written anything better'. The copy text for the Clarendon edition is the serialization in the Cornhill Magazine (July 1862-August 1863), emended to incorporate authorial revisions in the first edition in book form (1863), the Illustrated edition (1865), and the setting copy and proofs of the Cabinet edition (1877-8). A number of manuscript readings are also restored, where it seems likely that the Cornhill compositor misread the handwriting. Changes and deletions in the manuscript are recorded in the apparatus, along with rejected variants from post-Cornhill printings. Drawings on George Eliot's unpublished journals and notebooks, the introduction gives a comprehensive account of the genesis, composition, and publishing history of the novel: her two visits to Florence; her prodigious preparatory research before she began writing; her negotiations with the publisher George Smith, who offered her the astonishing sum of 10,000 pounds for the book; her correspondence with Frederic Leighton, who illustrated the novel for the Cornhill; and the persistent ill-health and depression that afflicted her throughout the period of composition. Since its first appearance, Romola has perplexed many of George Eliot's admirers by the range and density of its historical references. Here, in a series of unusually extensive notes, the sources of these allusion are traced and their significance explained. The result is to re-establish the novel as one of the very greatest of her artistic accomplishments - in Henry James's words, 'on the whole the finest thing she wrote'."
schema:exampleOfWork<http://worldcat.org/entity/work/id/414293>
schema:genre"Fiction"
schema:genre"Psychological fiction"
schema:genre"Domestic fiction"
schema:inLanguage"en"
schema:name"Romola"
schema:numberOfPages"688"
schema:publisher
schema:publisher
schema:workExample
schema:workExample

Content-negotiable representations

ウインドウを閉じる

WorldCatにログインしてください 

アカウントをお持ちではないですか?簡単に 無料アカウントを作成することができます。.