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Romulus in Bologna : die Fresken der Caracci im Palazzo Magnani

Author: Samuel Vitali; Lodovico Carracci; Agostino Carracci; Annibale Carracci
Publisher: München : Hirmer, [2011] ©2011
Series: Römische Studien der Bibliotheca Hertziana, Bd. 30.
Edition/Format:   Print book : GermanView all editions and formats
Summary:
The volume presents the first extensive investigation of friezes of the Palazzo Magnani. Thanks to essential archival research, a precise image of the patrons can be depicted and therefore the historical context of the work is illuminated, whose distinctive Roman theme indicates reverence for the papacy. In the center of the work, then, stands the analysis of the system of decorations as well as the number and
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Genre/Form: Art
Criticism, interpretation, etc
Named Person: Lodovico Carracci; Agostino Carracci; Annibale Carracci; Romulus, King of Rome; Agostino Carracci; Annibale Carracci; Lodovico Carracci; Romulus, King of Rome.; Agostino Carracci; Annibale Carracci; Ludovico Carracci; Lodovico Carracci; Agostino Carracci; Annibale Carracci
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Samuel Vitali; Lodovico Carracci; Agostino Carracci; Annibale Carracci
ISBN: 9783777442914 3777442917
OCLC Number: 733723721
Notes: Originally presented as the author's thesis (doctoral)--Universität Zürich, 2004/2005.
Description: 344 pages : illustrations (some color) ; 31 cm.
Series Title: Römische Studien der Bibliotheca Hertziana, Bd. 30.
Responsibility: Samuel Vitali.

Abstract:

The volume presents the first extensive investigation of friezes of the Palazzo Magnani. Thanks to essential archival research, a precise image of the patrons can be depicted and therefore the historical context of the work is illuminated, whose distinctive Roman theme indicates reverence for the papacy. In the center of the work, then, stands the analysis of the system of decorations as well as the number and content of the images, especially the references between text and image shaped by the literature on emblem depictions.

Der gemalte Fries mit Szenen aus dem römischen Gründungsmythos, mit dem Ludovico, Agostino und Annibale Carracci um 1590-92 den Palast des Bologneser Senators Lorenzo Magnani schmückten, stellt das Hauptwerk der drei Bologneser Künstler in ihrer Heimatstadt und zugleich den Auftakt der barocken Wandmalerei dar. Der Band bietet die erste umfassende Untersuchung zum Magnani-Fries. Dank gründlicher Archivstudien kann ein präziseres Bild des Auftraggebers gezeichnet und damit der historische Kontext des Werks beleuchtet werden, dessen ausgeprägt römisches Thema als Reverenz an den Papst zu deuten ist. Im Zentrum der Untersuchung stehen sodann die Analyse des Dekorationssystems sowie der Bilderzählung, insbesondere der von der Emblemliteratur geprägten Bezüge zwischen Text und Bild.

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