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Rousing the nation : radical culture in Depression America

著者: Laura Browder
出版商: Amherst : University of Massachusetts Press, ©1998.
版本/格式:   图书 : 英语查看所有的版本和格式
提要:
This interdisciplinary study blends textual analysis with social history to chart the intellectual and artistic ferment of Depression-era America. In Rousing the Nation, Laura Browder explores the fiction, drama, and film produced during the decade by socially conscious intellectuals who struggled to create a uniquely American art. Browder first considers authors James T. Farrell, Josephine Herbst, and John Dos  再读一些...
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附加的形体格式: Online version:
Browder, Laura, 1963-
Rousing the nation.
Amherst : University of Massachusetts Press, c1998
(OCoLC)605451794
文件类型:
所有的著者/提供者: Laura Browder
ISBN: 1558491252 9781558491250
OCLC号码: 37426357
描述: viii, 217 p. : ill. ; 24 cm.
内容: From Uncle Tom's cabin to Gone with the wind : writing for a nation in crisis --
The road : in search of America --
Dos Passos issues a challenge : can language make a revolution? --
Boys will be boys : Farrell examines working-class manhood --
Family history and political identity in Herbst's Trexler trilogy --
Finding a collective solution : the living newspaper experiment --
One-third of a nation : the living newspaper comes to Hollywood --
The search abandoned.
责任: Laura Browder.

摘要:

This interdisciplinary study blends textual analysis with social history to chart the intellectual and artistic ferment of Depression-era America. In Rousing the Nation, Laura Browder explores the fiction, drama, and film produced during the decade by socially conscious intellectuals who struggled to create a uniquely American art. Browder first considers authors James T. Farrell, Josephine Herbst, and John Dos Passos, arguing that their work successfully sparked a discussion about what it meant to be American at a time when the country's very future seemed in doubt. She then examines the Living Newspaper productions of the Federal Theatre Project, which brought politically and aesthetically provocative drama to twenty-five million Americans. In a final chapter, she examines social films of the period, focusing on Paramount's 1939 production of One-Third of a Nation.

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