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Russian music since 1917 : new understandings

Author: Patrick Zuk; Marina Frolova-Walker
Publisher: Oxford : Oxford University Press, [2017]
Series: Proceedings of the British Academy, 209
Edition/Format:   Print book : EnglishView all editions and formats
Publication:Proceedings of the British Academy, no:209
Summary:
"This ground-breaking collection of essays, which arises from a unique collaboration between leading scholars based on either side of the former Iron Curtain, is the first attempt to appraise the current state of research on the development of Russian art music since the 1917 Revolution. Part I provides a comprehensive critical overview of recent research both in Russia itself and outside it, outlining the principal  Read more...
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Genre/Form: Criticism, interpretation, etc
Document Type: Book
All Authors / Contributors: Patrick Zuk; Marina Frolova-Walker
ISBN: 9780197266151 0197266150
ISSN:0068-1202
OCLC Number: 1011043776
Description: xiii, 434 pages ; 24 cm.
Contents: Part I: Russian Music History and Historiography Today --
Russian Musicological Scholarship of the Last Two Decades: Achievements and Lacunae / Marina Rakhmanova --
Soviet Music Studies outside Russia: glasnost and after / Patrick Zuk --
The Adventures of Soviet Music in the West: Historical Highlights / Levon Hakobian --
Soviet Music in Post-Soviet Musicology: First Twenty Years and Beyond / Marina Frolova-Walker --
Part II: Reappraising the Soviet Past --
The Phenomenon of 'Translation' in Russian Musical Culture of the 1920s and Early 1930s: The Quest for a Soviet Musical Identity / Marina Raku --
From Enlightened to Sublime: Musical Life under Stalin, 1930-1948 / Pauline Fairclough --
The Stalinist Opera Project / Yekaterina Vlasova --
Composers in the GULAG: A Preliminary Survey / Inna Klause --
Part III: Soviet and post-Soviet musicology --
'Foreign' Versus 'Russian' in Soviet and Post-Soviet Musicology and Music Education / Olga Manulkina --
Glinka in Soviet and Post-Soviet Historiography: Myths, Realities, and Ideologies / Daniil Zavlunov --
Part IV: The Newest Shostakovich --
Portrait of the Artist as a Young Man: The Shostakovich-Bogdanov-Berezovsky Correspondence / Liudmila Kovnatskaya --
Shostakovich's 'Lenin' Project: The 'Pre-Twelfth' Symphony / Olga Digonskaya --
Part V: Russian Music Abroad --
Is There a "Russia Abroad" in Music? / Richard Taruskin --
Defining Diaspora through Culture: Russian Émigré Composers in a Globalising World / Elena Dubinets --
Part VI: 1991 and after --
Musical Uproar in Moscow (II) / Laurel E. Fay --
The Idea of the 1920s in Russian Music Today / William Quillen --
Paradigms of Contemporary Music in Twenty-First-Century Russia / Lidia Ader.
Series Title: Proceedings of the British Academy, 209
Other Titles: Russian music since nineteen seventeen
Responsibility: edited by Patrick Zuk and Marina Frolova-Walker.

Abstract:

These essays bring into clearer focus the transformation in the study of Russian music that has occurred since glasnost. Concentrating on Russian music since 1917, the volume shows how censorship in  Read more...

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