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Russian postmodernism : new perspectives on Post-Soviet Culture

著者: Генис, Александр, ; Mikhail Epstein; Aleksandr Genis; Slobodanka Vladiv-Glover
出版商: New York : Berghahn Books, 1999.
丛书: Studies in Slavic literature, culture, and society, v. 3.
版本/格式:   图书 : 英语查看所有的版本和格式
提要:
The last ten years were decisive for Russia, not only in the political sphere, but also culturally as this period saw the rise and crystallization of Russian postmodernism. The essays, manifestos, and articles gathered here investigate various manifestations of this crucial cultural trend. Exploring Russian fiction, poetry, art, and spirituality, they provide a point of departure and a valuable guide to an area of
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材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Генис, Александр, ; Mikhail Epstein; Aleksandr Genis; Slobodanka Vladiv-Glover
ISBN: 1571810285 9781571810281 1571810986 9781571810984
OCLC号码: 38249054
描述: xii, 528 p. : ill. ; 23 cm.
内容: Introduction / Thomas Epstein --
Pt. I. Making of Russian Postmodernism. 1. Dialectics of Hyper: From Modernism to Postmodernism / Mikhail Epstein. 2. 1960s and the Rediscovery of the Other in Russian Culture: Andrei Bitov / Slobodanka Vladiv-Glover. 3. Perestroika as a Shift in Literary Paradigm / Alexander Genis --
Pt. II. Manifestos of Russian Postmodernism --
Literary Manifestos / Mikhail Epstein. 4. Theses on Metarealism and Conceptualism. 5. On Olga Sedakova and Lev Rubinshtein. 6. What Is Metarealism? Facts and Hypotheses. 7. What Is a Metabole? (On the Third Trope). 8. Like a Corpse in the Desert: Dehumanization in the New Moscow Poetry. 9. Catalogue of New Poetries. Cultural Manifestos / Mikhail Epstein.
丛书名: Studies in Slavic literature, culture, and society, v. 3.
责任: Mikhail Epstein, Alexander Genis, and Slobodanka Vladiv-Glover ; translated and edited by Slobodanka M. Vladiv-Glover.
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摘要:

The last ten years were decisive for Russia, not only in the political sphere, but also culturally as this period saw the rise and crystallization of Russian postmodernism. The essays, manifestos, and articles gathered here investigate various manifestations of this crucial cultural trend. Exploring Russian fiction, poetry, art, and spirituality, they provide a point of departure and a valuable guide to an area of contemporary literary-cultural studies which is currently insufficiently represented in English-language scholarship.

A brief but useful "Who's Who in Russian Postmodernism" as an appendix introduces many authors who have never before appeared in a reference work of this kind and renders this book essential reading for those interested in the latest trends in Russian intellectual life.

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