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Salman Rushdie

著者: James Harrison
出版商: New York : Twayne Publishers ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International, ©1992.
丛书: Twayne's English authors series, TEAS 488.
版本/格式:   Print book : 传记 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Born in India but raised and educated in England, Salman Rushdie brings to his fiction a unique awareness of cultural difference and conflict. His complex, buoyant style, first recognized internationally with the Booker Prize-winning Midnight's Children (1981), has brought him to the forefront of postmodern literature. The political and religious controversy Rushdie's satiric work often generated exploded into open  再读一些...
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详细书目

类型/形式: Criticism, interpretation, etc
附加的形体格式: Online version:
Harrison, James, 1927-
Salman Rushdie.
New York : Twayne Publishers ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International, ©1992
(OCoLC)555759601
提及的人: Salman Rushdie; Salman Rushdie; Salman Rushdie; Salman Rushdie; Salman Rushdie; Salman - Critique et interprétation Rushdie; Salman Rushdie
材料类型: 传记
文件类型:
所有的著者/提供者: James Harrison
ISBN: 0805770119 9780805770117
OCLC号码: 24319203
描述: xiv, 148 pages : illustrations ; 23 cm.
内容: Biography --
History, religion, and politics in India --
Grimus --
Midnight's children --
Shame --
The satanic verses.
丛书名: Twayne's English authors series, TEAS 488.
责任: by James Harrison.

摘要:

Born in India but raised and educated in England, Salman Rushdie brings to his fiction a unique awareness of cultural difference and conflict. His complex, buoyant style, first recognized internationally with the Booker Prize-winning Midnight's Children (1981), has brought him to the forefront of postmodern literature. The political and religious controversy Rushdie's satiric work often generated exploded into open hostility when The Satanic Verses was published in 1988. James Harrison's lively study of Salman Rushdie argues that, in experimenting with different prose styles and narrative modes, as well as in his use of plot, satire, parody, and intrusive authorial commentary, Rushdie expresses his preference for a world of multiplicity, flexibility, and tolerance. Through a close analysis of the major fiction, including Grimus (1975), Shame (1983), and the irresistibly entertaining children's book Haroun and the Sea of Stories (1990), Harrison clearly shows Rushdie's opposition throughout his work to religious fundamentalist thought as a political force. Harrison discusses the relationship between Rushdie's life and work, analyzes all the novels and perceptively and sympathetically assesses the writer's conflict with Muslim and Hindu religious authorities. This invaluable study provides a much needed insight into Salman Rushdie's writings and the exception that has been taken to them by Muslim fundamentalists.

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