přejít na obsah
Satie the bohemian : from cabaret to concert hall Náhled dokumentu
ZavřítNáhled dokumentu
Probíhá kontrola...

Satie the bohemian : from cabaret to concert hall

Autor Steven Moore Whiting
Vydavatel: Oxford ; New York : Oxford University Press, 1999.
Edice: Oxford monographs on music.
Vydání/formát:   Kniha : Biography : EnglishZobrazit všechny vydání a formáty
Databáze:WorldCat
Shrnutí:
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafe-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and
Hodnocení:

(ještě nehodnoceno) 0 zobrazit recenze - Buďte první.

Předmětová hesla:
Více podobných

 

Vyhledat exemplář v knihovně

&AllPage.SpinnerRetrieving; Vyhledávání knihoven, které vlastní tento dokument...

Detaily

Žánr/forma: Criticism, interpretation, etc
History
Osoba: Erik Satie; Erik Satie; Erik Satie; Erik Satie; Erik Satie
Typ materiálu: Biography, Internetový zdroj
Typ dokumentu: Book, Internet Resource
Všichni autoři/tvůrci: Steven Moore Whiting
ISBN: 0198164580 9780198164586
OCLC číslo: 37870588
Popis: 596 pages : illustrations ; 24 cm.
Obsahy: pt. I. Cafe-Concert, Music-Hall, Cabaret. 1. The Cafe-Concert. 2. From Caf'Conc' to Music-Hall. 3. The Cabaret artistique --
pt. II. Satie's Involvement in Popular Milieux. 4. Satie at the Chat Noir. 5. Satie and the Divan Japonais. 6. Satie at the Auberge du Clou. 7. From the Auberge du Clou to Arcueil. 8. Satie and Hyspa. 9. Of Pantomimes and Pears. 10. Waltz, Cakewalk, Theatre Song --
pt. III. From Cabaret to Concert Hall. 11. Satie's Humoristic Works for Piano. 12. From Chanson to Melodie and Back. 13. The Composer as Playwright. 14. Autour de Cocteau, or the Uses of Popular Music. 15. On revient toujours: Satie's Last Ballets.
Název edice: Oxford monographs on music.
Odpovědnost: Steven Moore Whiting.
Více informací:

Anotace:

Apologists have often tried to play down Erik Satie's connection to the bohemian subculture of Montmartre. In this book Whiting argues that far from harming his reputation, this connection decisively  Přečíst více...

Recenze

Recenze redakce

Souhrn od vydavatele

Steven Moore Whiting now goes further than anybody in accounting for Satie in terms of his popular music context. He has also provided more detail about it than I ever thought possible - as a result Přečíst více...

 
Recenze vložené uživatelem
Nahrávání recenzí GoodReads...
Přebírání recenzí DOGO books...

Štítky

Buďte první.
Potvrdit tento požadavek

Tento dokument jste si již vyžádali. Prosím vyberte Ok pokud chcete přesto v žádance pokračovat.

Propojená data


<http://www.worldcat.org/oclc/37870588>
library:oclcnum"37870588"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:MediaObject
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"1999"
schema:description"Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafe-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall."@en
schema:description"He traces the many connections between Satie and artists in other domains - not just major figures like Cocteau, Picasso, and the Dadaists, but also cabaret humorists, musical performers, esoteric writers, and less familiar painters like Desboutin, Rusinol, and Casas."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/199204930>
schema:genre"Criticism, interpretation, etc."@en
schema:genre"Biography"@en
schema:genre"History"@en
schema:inLanguage"en"
schema:isPartOf
schema:name"Satie the bohemian : from cabaret to concert hall"@en
schema:publication
schema:publisher
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GB98Z2712>
wdrs:describedby

Content-negotiable representations

Zavřít okno

Prosím přihlaste se do WorldCat 

Nemáte účet? Můžete si jednoduše vytvořit bezplatný účet.