omitir hasta el contenido
Satie the bohemian : from cabaret to concert hall Ver este material de antemano
CerrarVer este material de antemano
Chequeando…

Satie the bohemian : from cabaret to concert hall

Autor: Steven Moore Whiting
Editorial: Oxford ; New York : Oxford University Press, 1999.
Serie: Oxford monographs on music.
Edición/Formato:   Libro : Biografía : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafe-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and
Calificación:

(todavía no calificado) 0 con reseñas - Ser el primero.

Temas
Más materiales como éste

 

Encontrar un ejemplar en la biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que tienen este material…

Detalles

Género/Forma: Criticism, interpretation, etc
History
Persona designada: Erik Satie; Erik Satie; Erik Satie; Erik Satie; Erik Satie
Tipo de material: Biografía, Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Steven Moore Whiting
ISBN: 0198164580 9780198164586
Número OCLC: 37870588
Descripción: 596 p. : ill. ; 24 cm.
Contenido: Pt. I. Cafe-Concert, Music-Hall, Cabaret. 1. The Cafe-Concert. 2. From Caf'Conc' to Music-Hall. 3. The Cabaret artistique --
Pt. II. Satie's Involvement in Popular Milieux. 4. Satie at the Chat Noir. 5. Satie and the Divan Japonais. 6. Satie at the Auberge du Clou. 7. From the Auberge du Clou to Arcueil. 8. Satie and Hyspa. 9. Of Pantomimes and Pears. 10. Waltz, Cakewalk, Theatre Song --
Pt. III. From Cabaret to Concert Hall. 11. Satie's Humoristic Works for Piano. 12. From Chanson to Melodie and Back. 13. The Composer as Playwright. 14. Autour de Cocteau, or the Uses of Popular Music. 15. On revient toujours: Satie's Last Ballets.
Título de la serie: Oxford monographs on music.
Responsabilidad: Steven Moore Whiting.
Más información:

Resumen:

Apologists have often tried to play down Erik Satie's connection to the bohemian subculture of Montmartre. In this book Whiting argues that far from harming his reputation, this connection decisively  Leer más

Reseñas

Reseñas editoriales

Resumen de la editorial

Steven Moore Whiting now goes further than anybody in accounting for Satie in terms of his popular music context. He has also provided more detail about it than I ever thought possible - as a result Leer más

 
Reseñas contribuidas por usuarios
Recuperando reseñas de GoodReads…
Recuperando reseñas de DOGObooks…

Etiquetas

Ser el primero.
Confirmar este pedido

Ya ha pedido este material. Escoja OK si desea procesar el pedido de todos modos.

Datos enlazados


<http://www.worldcat.org/oclc/37870588>
library:oclcnum"37870588"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/37870588>
rdf:typeschema:Book
schema:about
schema:about
<http://id.loc.gov/authorities/subjects/sh2010102851>
rdf:typeschema:Intangible
schema:name"Music-halls (Variety-theaters, cabarets, etc.)--France--Paris--History--19th century."@en
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.worldcat.org/fast/1030677>
rdf:typeschema:Intangible
schema:name"Music-halls (Variety-theaters, cabarets, etc.)"@en
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"1999"
schema:description"Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafe-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/199204930>
schema:genre"Criticism, interpretation, etc."@en
schema:genre"History."@en
schema:genre"History"@en
schema:inLanguage"en"
schema:name"Satie the bohemian : from cabaret to concert hall"@en
schema:numberOfPages"596"
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Cerrar ventana

Inicie una sesión con WorldCat 

¿No tienes una cuenta? Puede fácilmente crear una cuenta gratuita.