pular para conteúdo
Satie the bohemian : from cabaret to concert hall Ver prévia deste item
FecharVer prévia deste item
Checando...

Satie the bohemian : from cabaret to concert hall

Autor: Steven Moore Whiting
Editora: Oxford ; New York : Oxford University Press, 1999.
Séries: Oxford monographs on music.
Edição/Formato   Livro : Biografia : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafe-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and
Classificação:

(ainda não classificado) 0 com críticas - Seja o primeiro.

Assuntos
Mais como este

 

Encontrar uma cópia na biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que possuem este item...

Detalhes

Pessoa Denominada: Erik Satie; Erik Satie; Erik Satie; Erik Satie
Tipo de Material: Biografia, Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Steven Moore Whiting
ISBN: 0198164580 9780198164586
Número OCLC: 37870588
Descrição: 596 p. : ill. ; 24 cm.
Conteúdos: Pt. I. Cafe-Concert, Music-Hall, Cabaret. 1. The Cafe-Concert. 2. From Caf'Conc' to Music-Hall. 3. The Cabaret artistique --
Pt. II. Satie's Involvement in Popular Milieux. 4. Satie at the Chat Noir. 5. Satie and the Divan Japonais. 6. Satie at the Auberge du Clou. 7. From the Auberge du Clou to Arcueil. 8. Satie and Hyspa. 9. Of Pantomimes and Pears. 10. Waltz, Cakewalk, Theatre Song --
Pt. III. From Cabaret to Concert Hall. 11. Satie's Humoristic Works for Piano. 12. From Chanson to Melodie and Back. 13. The Composer as Playwright. 14. Autour de Cocteau, or the Uses of Popular Music. 15. On revient toujours: Satie's Last Ballets.
Título da Série: Oxford monographs on music.
Responsabilidade: Steven Moore Whiting.
Mais informações:

Resumo:

Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafe-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall.

He traces the many connections between Satie and artists in other domains - not just major figures like Cocteau, Picasso, and the Dadaists, but also cabaret humorists, musical performers, esoteric writers, and less familiar painters like Desboutin, Rusinol, and Casas.

Críticas

Críticas contribuídas por usuários
Recuperando críticas GoodReas...
Recuperando comentários DOGObooks

Etiquetas

Seja o primeiro.
Confirmar esta solicitação

Você já pode ter solicitado este item. Por favor, selecione Ok se gostaria de proceder com esta solicitação de qualquer forma.

Dados Ligados


<http://www.worldcat.org/oclc/37870588>
library:oclcnum"37870588"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/37870588>
rdf:typeschema:Book
rdfs:seeAlso
schema:about
rdf:typeschema:Intangible
schema:name"Music-halls--France--Paris--Histoire--19e siècle."
schema:about
rdf:typeschema:Intangible
schema:name"Musique populaire--France--Paris (France)--20e siècle."
schema:about
rdf:typeschema:Intangible
schema:name"Musique populaire--France--Paris--Jusqu'à 1901--Histoire et critique."
schema:about
rdf:typeschema:Place
schema:name"Montmartre (Paris, France)"
schema:about
schema:about
rdf:typeschema:Place
schema:name"Montmartre (Paris, France)"
schema:about
rdf:typeschema:Intangible
schema:name"Paris (France)--Quartier Montmartre."
schema:about
schema:about
schema:about
schema:about
schema:about
rdf:typeschema:Intangible
schema:name"Music-halls (Variety-theaters, cabarets, etc.)--France--Paris--History--19th century."
schema:sameAs<http://id.loc.gov/authorities/subjects/sh2010102851>
schema:about
schema:about
schema:about
rdf:typeschema:Person
schema:name"Satie, Erik, 1866-1925"
schema:about
schema:about
<http://id.worldcat.org/fast/1030677>
rdf:typeschema:Intangible
schema:name"Music-halls (Variety-theaters, cabarets, etc.)"
schema:about
schema:author
schema:datePublished"1999"
schema:description"Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafe-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall."
schema:exampleOfWork<http://worldcat.org/entity/work/id/199204930>
schema:genre"History"
schema:genre"Criticism, interpretation, etc."
schema:inLanguage"en"
schema:name"Satie the bohemian : from cabaret to concert hall"
schema:numberOfPages"596"
schema:publisher
schema:workExample
schema:workExample

Content-negotiable representations

Close Window

Por favor, conecte-se ao WorldCat 

Não tem uma conta? Você pode facilmente criar uma conta gratuita.