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Satie the bohemian : from cabaret to concert hall

作者: Steven Moore Whiting
出版商: Oxford ; New York : Oxford University Press, 1999.
叢書: Oxford monographs on music.
版本/格式:   圖書 : 傳記 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafe-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and
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類型/形式: Criticism, interpretation, etc
History
提及的人: Erik Satie; Erik Satie; Erik Satie; Erik Satie; Erik Satie
資料類型: 傳記, 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Steven Moore Whiting
ISBN: 0198164580 9780198164586
OCLC系統控制編碼: 37870588
描述: 596 p. : ill. ; 24 cm.
内容: Pt. I. Cafe-Concert, Music-Hall, Cabaret. 1. The Cafe-Concert. 2. From Caf'Conc' to Music-Hall. 3. The Cabaret artistique --
Pt. II. Satie's Involvement in Popular Milieux. 4. Satie at the Chat Noir. 5. Satie and the Divan Japonais. 6. Satie at the Auberge du Clou. 7. From the Auberge du Clou to Arcueil. 8. Satie and Hyspa. 9. Of Pantomimes and Pears. 10. Waltz, Cakewalk, Theatre Song --
Pt. III. From Cabaret to Concert Hall. 11. Satie's Humoristic Works for Piano. 12. From Chanson to Melodie and Back. 13. The Composer as Playwright. 14. Autour de Cocteau, or the Uses of Popular Music. 15. On revient toujours: Satie's Last Ballets.
叢書名: Oxford monographs on music.
責任: Steven Moore Whiting.
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摘要:

Apologists have often tried to play down Erik Satie's connection to the bohemian subculture of Montmartre. In this book Whiting argues that far from harming his reputation, this connection decisively  再讀一些...

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Steven Moore Whiting now goes further than anybody in accounting for Satie in terms of his popular music context. He has also provided more detail about it than I ever thought possible - as a result 再讀一些...

 
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