Tony Richardson; Karel Reisz; Albert Finney; Shirley-Anne Field; Rachel Roberts; Hylda Baker; Norman Rossington; Bryan Pringle; Alan Sillitoe; Metro-Goldwyn-Mayer,; Bryanston Pictures,; Woodfall Film Productions,; British Lion Films,; MGM Home Entertainment Inc.,
|語言註釋：||Closed captioned. Soundtrack in English, with optional subtitles in English, French or Spanish.|
|注意：||Originally produced as a motion picture in 1961.
Special features include: original theatrical trailer (2 min.).
|餘額：||Director of photography, Freddie Francis ; film editor, Seth Holt ; music composed and conducted by Johnny Dankworth, special lyrics by David Dearlove ; art director, Ted Marshall.|
|演員名單:||Albert Finney (Arthur), Shirley Anne Field (Doreen), Rachel Roberts (Brenda), Hylda Baker (Aunt Ada), Norman Rossington (Bert), Brian Pringle (Jack), Edna Morris (Mrs. Bull), Anne Blake (Civil Defense officer), Louise Dunn (Betty), Frank Pettitt (Mr. Seaton), Robert Cawdron (Robboe), Cameron Hall (Mr. Bull), Elsie Wagstaffe (Mrs. Seaton).|
|獎賞：||Winner, 1961 British Academy of Film and Television Arts (BAFTA) Film awards: Karel Reisz for Best British film; Rachel Roberts for Best British actress; Albert Finney for Most Promising Newcomer to Leading Film Roles. Also won awards from the Mar del Plata Film Festival (1961) and the National Board of Review, USA (1961).|
|針對讀者群：||MPAA rating: Not rated.|
|描述：||1 videodisc (90 min.) : sound, black and white ; 4 3/4 in.|
|詳述：||DVD; region 1, NTSC; Dolby Digital mono; widescreen, 1.66:1 aspect ratio.|
|内容：||Factory/Main title --
Booze & married women --
Good ol' days/Doreen --
"Tips from the fishes" --
Rats, rogues & reds --
Jack, Brenda & Arthur --
Shooting off --
"All this mess!" --
Night at the fair --
Paying the price --
"God knows what I am!" --
Real thing --
"A lot more in life ..." --
"C'mon, duck!" --
|責任：||Metro-Goldwyn-Mayer ; Bryanston presents a Woodfall Film ; a British Lion-Bryanston release ; screenplay adapted from his novel by Alan Sillitoe ; produced by Tony Richardson ; directed by Karel Reisz.|
In 1950s post-war England, the working classes faced an unappetizing choice between drudgery, degradation, and despair or the materialist blandishments of deadening suburban affluence. Arthur is the prototypical 'angry young man'--outspoken, dissatisfied with the status quo, rebelling against stifling class distinctions--insolent and self-confident, his high wages enable his disdain for following orders and his hard drinking, red-blooded weekends. He is determined to enjoy his freedom as long as he can get away with it, before being trapped by marriage into conformity, surrounded by nappies and rent books in a new housing estate.
- Working class -- England -- Nottingham -- Drama.
- Man-woman relationships -- England -- Drama.
- Abortion -- England -- Drama.
- Adultery -- England -- Drama.
- Nottingham (England) -- Drama.
- Great Britain -- Social life and customs -- 20th century -- Drama.
- Longs métrages -- Grande-Bretagne.
- Man-woman relationships.
- Manners and customs.
- Working class.
- England -- Nottingham.
- Great Britain.
- Feature films -- Great Britain.