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Savage sight/constructed noise : poetic adaptations of painterly techniques in the French and American avant-gardes

Autore: David LeHardy Sweet
Editore: Chapel Hill, N.C. : U.N.C. Dept. of Romance Languages, 2003.
Serie: North Carolina studies in the Romance languages and literatures, no. 276.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract
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Informazioni aggiuntive sul format: Online version:
Sweet, David LeHardy, 1961-
Savage sight/constructed noise.
Chapel Hill, N.C. : U.N.C. Dept. of Romance Languages, 2003
(OCoLC)604094250
Online version:
Sweet, David LeHardy, 1961-
Savage sight/constructed noise.
Chapel Hill, N.C. : U.N.C. Dept. of Romance Languages, 2003
(OCoLC)607886179
Persona incaricata: Guillaume Apollinaire; Pierre Reverdy; André Breton; Frank O'Hara; John Ashbery; Guillaume Apollinaire; Pierre Reverdy; André Breton; Frank O'Hara; John Ashbery; Guillaume Apollinaire; Pierre Reverdy; André Breton; Frank O'Hara; John Ashbery
Tipo documento: Book
Tutti gli autori / Collaboratori: David LeHardy Sweet
ISBN: 0807892815 9780807892817
Numero OCLC: 52377556
Descrizione: 318 p. : ill. ; 23 cm.
Contenuti: Ch. I. Guillaume Apollinaire --
Ch. II. Pierre Reverdy --
Ch. III. Andre Breton --
Ch. IV. Frank O'Hara --
Ch. V. John Ashberry.
Titolo della serie: North Carolina studies in the Romance languages and literatures, no. 276.
Responsabilità: by David LeHardy Sweet.
Maggiori informazioni:

Abstract:

"This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract Expressionism and New Realism in the United States.".

"Selected poems are examined in light of the critical essays and are taken either as illustrations of a new plastic poetic or as novel hybrids of plastic and literary strategies. Although the parallels between modern poetry and painting go beyond avant-garde techniques, this book emphasizes such innovations as collage, chance operations, and automatism to demonstrate the shift in aesthetic attention from finished products to creative processes."--BOOK JACKET.

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