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Savage sight/constructed noise : poetic adaptations of painterly techniques in the French and American avant-gardes

Autore: David LeHardy Sweet
Editore: Chapel Hill, N.C. : U.N.C. Dept. of Romance Languages, 2003.
Serie: North Carolina studies in the Romance languages and literatures, no. 276.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract
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Dettagli

Genere/forma: Criticism, interpretation, etc
History
Informazioni aggiuntive sul formato: Online version:
Sweet, David LeHardy, 1961-
Savage sight/constructed noise.
Chapel Hill, N.C. : U.N.C. Dept. of Romance Languages, 2003
(OCoLC)604094250
Online version:
Sweet, David LeHardy, 1961-
Savage sight/constructed noise.
Chapel Hill, N.C. : U.N.C. Dept. of Romance Languages, 2003
(OCoLC)607886179
Persona incaricata: Guillaume Apollinaire; Pierre Reverdy; André Breton; Frank O'Hara; John Ashbery; Guillaume Apollinaire; Pierre Reverdy; André Breton; Frank O'Hara; John Ashbery; Guillaume Apollinaire; Pierre Reverdy; André Breton; Frank O'Hara; John Ashbery; Guillaume Apollinaire; John Ashbery; André Breton; Frank O'Hara; Pierre Reverdy
Tipo documento: Book
Tutti gli autori / Collaboratori: David LeHardy Sweet
ISBN: 0807892815 9780807892817
Numero OCLC: 52377556
Descrizione: 318 p. : ill. ; 23 cm.
Contenuti: Ch. I. Guillaume Apollinaire --
Ch. II. Pierre Reverdy --
Ch. III. Andre Breton --
Ch. IV. Frank O'Hara --
Ch. V. John Ashberry.
Titolo della serie: North Carolina studies in the Romance languages and literatures, no. 276.
Responsabilità: by David LeHardy Sweet.
Maggiori informazioni:

Abstract:

This text examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara and John Ashbery. All these were chosen for  Per saperne di più…

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