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Savage sight/constructed noise : poetic adaptations of painterly techniques in the French and American avant-gardes

Autor: David LeHardy Sweet
Editora: Chapel Hill, N.C. : U.N.C. Dept. of Romance Languages, 2003.
Séries: North Carolina studies in the Romance languages and literatures, no. 276.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract
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Gênero/Forma: Criticism, interpretation, etc
History
Formato Físico Adicional: Online version:
Sweet, David LeHardy, 1961-
Savage sight/constructed noise.
Chapel Hill, N.C. : U.N.C. Dept. of Romance Languages, 2003
(OCoLC)604094250
Online version:
Sweet, David LeHardy, 1961-
Savage sight/constructed noise.
Chapel Hill, N.C. : U.N.C. Dept. of Romance Languages, 2003
(OCoLC)607886179
Pessoa Denominada: Guillaume Apollinaire; Pierre Reverdy; André Breton; Frank O'Hara; John Ashbery; Guillaume Apollinaire; Pierre Reverdy; André Breton; Frank O'Hara; John Ashbery; Guillaume Apollinaire; Pierre Reverdy; André Breton; Frank O'Hara; John Ashbery; Guillaume Apollinaire; John Ashbery; André Breton; Frank O'Hara; Pierre Reverdy
Tipo de Documento: Livro
Todos os Autores / Contribuintes: David LeHardy Sweet
ISBN: 0807892815 9780807892817
Número OCLC: 52377556
Descrição: 318 p. : ill. ; 23 cm.
Conteúdos: Ch. I. Guillaume Apollinaire --
Ch. II. Pierre Reverdy --
Ch. III. Andre Breton --
Ch. IV. Frank O'Hara --
Ch. V. John Ashberry.
Título da Série: North Carolina studies in the Romance languages and literatures, no. 276.
Responsabilidade: by David LeHardy Sweet.
Mais informações:

Resumo:

This text examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara and John Ashbery. All these were chosen for  Ler mais...

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