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Schumann's Eichendorff Liederkreis and the genre of the romantic cycle

Autore: David Ferris
Editore: New York : Oxford University Press, 2000.
Edizione/Formato:   book_printbook : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"Using Schumann's Eichendorff Liederkreis as his primary example, David Ferris proposes a new conception of the Romantic cycle. Rather than try to demonstrate that the cycle of songs creates a unified whole, he focuses on the ways in which the fragmentary and open-ended nature of the individual song implies a connection to something beyond itself. As Schumann experiments with small-scale form in his songs, he taps  Per saperne di più…
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Dettagli

Genere/forma: Criticism, interpretation, etc
Persona incaricata: Robert Schumann; Joseph Eichendorff, Freiherr von; Robert Schumann; Robert Schumann; Joseph Eichendorff, Freiherr von; Joseph Eichendorff, Freiherr von
Tipo materiale: Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: David Ferris
ISBN: 0195124472 9780195124477
Numero OCLC: 43811268
Descrizione: viii, 270 pages : illustrations ; 24 cm
Contenuti: Part I: The genre of the cycle --
Introduction --
Analyzing Dichterliebe --
Schlegel's fragments and Schumann's cycles --
Part II: Schumann's Eichendorff songs --
Poem and song --
Weak openings --
Recompositional pairings --
III. From songs into cycles --
Schumann's process of composing a cycle --
The song cycle as a literary work.
Responsabilità: David Ferris.
Maggiori informazioni:

Abstract:

Using Schumann's "Eichendorff Liederkreis" as the primary example, this work sheds new light on the structure of 19th-century song cycles and on Schumann's particular response to the problem of  Per saperne di più…

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."..ambitious and often provocative study of Schumann's great Eichendorff cycle."--Current Musicology"Ferris's book is a welcome addition to Oxford's 'Schumann Series.' It is refreshing to read a Per saperne di più…

 
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schema:reviewBody""Using Schumann's Eichendorff Liederkreis as his primary example, David Ferris proposes a new conception of the Romantic cycle. Rather than try to demonstrate that the cycle of songs creates a unified whole, he focuses on the ways in which the fragmentary and open-ended nature of the individual song implies a connection to something beyond itself. As Schumann experiments with small-scale form in his songs, he taps into our innate desire for closure, and thus creates the need for a larger context within which the individual piece can be placed. The context that the cycle provides, however, is itself discontinuous and open-ended, and so the tension between openness and closure is simply replicated on a higher level. In this way Schumann responds, in musical terms, to the Romantic themes of transcendence, ineffability, and infinite yearning that are central to the poetry that he set."--Jacket."
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