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Schumann's Eichendorff Liederkreis and the genre of the romantic cycle

Autor: David Ferris
Editora: New York : Oxford University Press, 2000.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"Using Schumann's Eichendorff Liederkreis as his primary example, David Ferris proposes a new conception of the Romantic cycle. Rather than try to demonstrate that the cycle of songs creates a unified whole, he focuses on the ways in which the fragmentary and open-ended nature of the individual song implies a connection to something beyond itself. As Schumann experiments with small-scale form in his songs, he taps  Ler mais...
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Detalhes

Pessoa Denominada: Robert Schumann; Joseph Eichendorff, Freiherr von; Robert Schumann; Robert Schumann; Joseph Eichendorff, Freiherr von
Tipo de Material: Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: David Ferris
ISBN: 0195124472 9780195124477
Número OCLC: 43811268
Descrição: viii, 270 p. : ill. ; 24 cm.
Responsabilidade: David Ferris.
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Resumo:

Using Schumann's "Eichendorff Liederkreis" as the primary example, this work sheds new light on the structure of 19th-century song cycles and on Schumann's particular response to the problem of  Ler mais...

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."..ambitious and often provocative study of Schumann's great Eichendorff cycle."--Current Musicology"Ferris's book is a welcome addition to Oxford's 'Schumann Series.' It is refreshing to read a Ler mais...

 
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schema:reviewBody""Using Schumann's Eichendorff Liederkreis as his primary example, David Ferris proposes a new conception of the Romantic cycle. Rather than try to demonstrate that the cycle of songs creates a unified whole, he focuses on the ways in which the fragmentary and open-ended nature of the individual song implies a connection to something beyond itself. As Schumann experiments with small-scale form in his songs, he taps into our innate desire for closure, and thus creates the need for a larger context within which the individual piece can be placed. The context that the cycle provides, however, is itself discontinuous and open-ended, and so the tension between openness and closure is simply replicated on a higher level. In this way Schumann responds, in musical terms, to the Romantic themes of transcendence, ineffability, and infinite yearning that are central to the poetry that he set."--BOOK JACKET."
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