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Schumann's Eichendorff Liederkreis and the genre of the romantic cycle

Autor: David Ferris
Editorial: New York : Oxford University Press, 2000.
Edición/Formato:   Libro : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"Using Schumann's Eichendorff Liederkreis as his primary example, David Ferris proposes a new conception of the Romantic cycle. Rather than try to demonstrate that the cycle of songs creates a unified whole, he focuses on the ways in which the fragmentary and open-ended nature of the individual song implies a connection to something beyond itself. As Schumann experiments with small-scale form in his songs, he taps  Leer más
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Detalles

Persona designada: Robert Schumann; Joseph Eichendorff, Freiherr von; Robert Schumann; Robert Schumann; Joseph Eichendorff, Freiherr von
Tipo de material: Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: David Ferris
ISBN: 0195124472 9780195124477
Número OCLC: 43811268
Descripción: viii, 270 p. : ill. ; 24 cm.
Responsabilidad: David Ferris.
Más información:

Resumen:

Using Schumann's "Eichendorff Liederkreis" as the primary example, this work sheds new light on the structure of 19th-century song cycles and on Schumann's particular response to the problem of  Leer más

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."..ambitious and often provocative study of Schumann's great Eichendorff cycle."--Current Musicology"Ferris's book is a welcome addition to Oxford's 'Schumann Series.' It is refreshing to read a Leer más

 
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schema:reviewBody""Using Schumann's Eichendorff Liederkreis as his primary example, David Ferris proposes a new conception of the Romantic cycle. Rather than try to demonstrate that the cycle of songs creates a unified whole, he focuses on the ways in which the fragmentary and open-ended nature of the individual song implies a connection to something beyond itself. As Schumann experiments with small-scale form in his songs, he taps into our innate desire for closure, and thus creates the need for a larger context within which the individual piece can be placed. The context that the cycle provides, however, is itself discontinuous and open-ended, and so the tension between openness and closure is simply replicated on a higher level. In this way Schumann responds, in musical terms, to the Romantic themes of transcendence, ineffability, and infinite yearning that are central to the poetry that he set."--BOOK JACKET."
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