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Screen tastes : soap opera to satellite dishes
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Screen tastes : soap opera to satellite dishes

Author: Charlotte Brunsdon
Publisher: London ; New York : Routledge, 1997.
Edition/Format:   Book : EnglishView all editions and formats
Summary:
In Screen Tastes: Soap Opera to Satellite Dishes Charlotte Brunsdon analyses a wide range of contemporary film and television programmes, from British soap operas and crime series to Hollywood movies such as Working Girl and Pretty Woman. As well as interpreting the pleasures and meanings that these texts offer - particularly for women viewers - the book is concerned with the language of criticism, particularly
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Details

Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Charlotte Brunsdon
ISBN: 041512154X 9780415121545 0415121558 9780415121552 9780203993002 0203993004
OCLC Number: 36065948
Description: x, 236 p. : ill. ; 25 cm.
Contents: Pt. I. The defence of soap opera. 1. Crossroads: notes on soap opera. 2. Writing about soap opera. 3. Feminism and soap opera. 4. The role of soap opera in the development of feminist television criticism --
Pt. II. Career girls. 5. A subject for the seventies. 6. Men's genres for women. 7. Post-feminism and shopping films --
Pt. III. Questions of quality. 8. Aesthetics and audiences. 9. Problems with quality. 10. Satellite dishes and the landscapes of taste --
Pt. IV. Feminist identities. 11. Pedagogies of the feminine. 12. Identity in feminist television criticism.
Responsibility: Charlotte Brunsdon.
More information:

Abstract:

In Screen Tastes: Soap Opera to Satellite Dishes Charlotte Brunsdon analyses a wide range of contemporary film and television programmes, from British soap operas and crime series to Hollywood movies such as Working Girl and Pretty Woman. As well as interpreting the pleasures and meanings that these texts offer - particularly for women viewers - the book is concerned with the language of criticism, particularly feminist criticism, and the aesthetics of popular culture. Why have feminist media critics been so interested in the soap opera viewer? What is meant by 'quality' in television? What are the 'race' politics of the television crime series? And was the fuss about the erection of satellite dishes on British homes really about architecture?

Screen Tastes documents an important contribution to the development of a feminist cultural studies in the 1980s and 1990s with concerns ranging from 'shopping films' to the deregulation of public service broadcasting, from feminist teaching to the aesthetics of television. While acknowledging debates about the female spectator which underpinned the defence of soap opera and women's films, Brunsdon argues against feminist criticism getting stuck forever in a girly zone. In a period in which global television is undergoing radical transformation, the book responds to problems facing the cultural studies agenda in an age of aggressive de-regulation.

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